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A work made of gelatin silver prints (triptych).

Untitled Triptych 80/134/82, 1987

Carl Chiarenza

A work made of etching and aquatint on ivory laid paper.

Devout profession, plate 70 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

A work made of graphite on white tracing paper, green and brown pencil added.

Alexander Hamilton Memorial, Lincoln Park, Chicago, Perspective, 4/18/1950

Marx, Flint & Schonne Architects

A work made of stoneware (jasperware).

Portland Vase, 1860/80

Wedgwood Manufactory

A work made of linen, plain weave; embroidered with silk floss, creped silk yarns, linen yarns, silvered-metal wire, silvered-metal-strip-wrapped silk, and silvered-metal strips, wire and coils in back, bullion, ceylon, overcast, oblique gobelin, plaited braid, satin, split, tent, and a variety of buttonhole stitches; laid work, couching, and turk's head knots with bullion picots; embellished with metal coils and paillettes; beaded with seed pearls, and glass and coral beads; applied braid of hammered gilt metal.

Picture Depicting the Queen of Sheba Before King Solomon, c. 1660

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of albumen print, stereo.

War Chief of the Zuni Indians, No. 20 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk.

Virgin and Child with Saints (recto); Study of Arm (verso), 1560/80

Bartolomeo Ramenghi, the elder

A work made of etching and aquatint on ivory laid paper.

Don't scream, stupid, plate 74 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of polyester and cotton, satin, twill, and plain weaves self-patterned by complementary wefts in satin, twill and plain interlacings; woven with cad/cam system connected to loom with jacquard attachment.

Sea Saw, 1991 (produced 1992/93)

Sheila O'Hara

A work made of color woodblock print; chuban.

Act Eight: Bridal Journey from the play Chushingura (Treasury of Loyal Retainers), c. 1779/80

Katsukawa Shunsho

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of oil on canvas.

The Gulf of Salerno, 1783/85

Joseph Wright of Derby

A work made of collage of cut-and-pasted various commercially printed papers, graphite on tan wove papers, and watercolor on off-white wove paper, selectively varnished and found paper items, and on off-white paperboard with graphite and pen and brush and black ink.

Untitled (Collage with Photos, Ticket Stubs, and Hotel Bill), 1970/80

Saul Steinberg

A work made of etching and aquatint on ivory laid paper.

What One Does to Another, plate 77 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

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