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A work made of cotton, satin weave; screenprinted.

Music (Furnishing Fabric), 1945/49

Susan Williams-Ellis

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching and aquatint on ivory laid paper.

Hobgoblins, plate 49 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

The Chinchillas, plate 50 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching on paper.

Hunting Birds, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of etching and aquatint on ivory laid paper.

Be quick, They are Waking Up, plate 78 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of pen and black ink with brush and brown wash, over black chalk (recto), and brush and brown wash over black chalk (verso), on ivory laid paper.

Study for the Sine Baccho et Cerere Friget Venus (recto); Family of Darius before Alexander (verso), n.d.

Jacob Jordaens

A work made of wood-block print in black ink on thin ivory japanese paper.

Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color collagraph on ivory wove paper.

Texture Imprint (Pierced), plate 80 from 101 Prints, 1967

Norman Roland Eppink

A work made of marble.

Fragment of a Funerary Lekythos (Monument in the Shape of an Oil Jar), 4th century BCE

Ancient Greek

A work made of etching, aquatint, and drypoint on ivory laid paper.

They Have Flown, plate 61 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

It is Nicely Stretched, plate 17 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of pen and black ink, with brush and gray wash, on ivory wove paper.

The Passage of a Corps of Troops near a Village, n.d.

Wilhelm Alexander Wolfgang von Kobell

A work made of wool double cloth; lining: cotton.

Portiere

Gavin Morton

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of bronze.

Biconical Bead, Geometric Period (800–600 BCE)

Ancient Greek

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

'Crazy Quilt', 1875/80

A work made of etching and aquatint on ivory laid paper.

Yes, He Broke the Pot, plate 25 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

Vestment (For a First-degree Taoist Priest)

Vestment (For a First-degree Taoist Priest), Qing dynasty (1644–1911), 18th century, inscribed 1793

Han-Chinese

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