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A work made of engraving in black on ivory laid paper.

The Flagellation of Christ, with the Pavement, 1475/80

School of Andrea Mantegna

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

A work made of albumen print (carte-de-visite).

Portrait of Brahms, 1862/80

Johann Reiner

A work made of etching and drypoint in brown on cream laid paper.

Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set"), 1879–80

James McNeill Whistler

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of mahogany, white pine, american sweetgum, and upholstery.

Pair of Side Chairs, 1760–80

Artist unknown

A work made of etching and aquatint on ivory laid paper.

Yes, He Broke the Pot, plate 25 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of pen and black ink, with brush and gray wash, on ivory wove paper.

The Passage of a Corps of Troops near a Village, n.d.

Wilhelm Alexander Wolfgang von Kobell

A work made of wool double cloth; lining: cotton.

Portiere

Gavin Morton

A work made of etching on paper.

The Watermill, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of cotton, plain weave; screen printed.

Filo (Furnishing Fabric), 1942

Angelo Testa

A work made of stoneware (jasperware).

Teapot, 1775/80

Wedgwood Manufactory

A work made of etching and aquatint on ivory laid paper.

Devout profession, plate 70 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of color collagraph on ivory wove paper.

Texture Imprint (Pierced), plate 80 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and burnishing on ivory wove paper with gilt edges.

Truth has died, plate 79 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching on cream laid paper.

Voltaire Arriving in Hell Riding Jean-Jacques Rousseau, c. 1778-80

Unknown artist

A work made of cotton and rayon, weft-float faced satin weave; screen printed.

Textura Plaid (Furnishing Fabric), 1950

Angelo Testa

A work made of cotton, linen, and wool and nylon bouclé, plain weave.

Blue Sheik (Furnishing Fabric), 1956

Angelo Testa

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