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A work made of etching and aquatint on ivory laid paper.

Those specks of dust, plate 23 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of linen, plain weave; screen printed.

Facade (Furnishing Fabric), 1952

Angelo Testa

A work made of etching and aquatint on ivory laid paper.

There it Goes, plate 66 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of pen and black ink, with brush and gray wash, on ivory wove paper.

The Passage of a Corps of Troops near a Village, n.d.

Wilhelm Alexander Wolfgang von Kobell

A work made of wool double cloth; lining: cotton.

Portiere

Gavin Morton

A work made of charcoal and black chalk with black pastel, stumping, scraping and erasing, and traces of brown charcoal(?), on ivory wove paper, discolored to cream.

Sketch of Trees, 1890/99

Odilon Redon

A work made of bronze.

Bird with Flat Tail, Geometric Period (800–600 BCE)

Ancient Greek

Black and brown painting of man in suit composed of fractured geometric shapes

Sample (Up 80 X #2), 1945/49

Robert D. Sailors

A work made of gelatin silver prints (triptych).

Untitled Triptych 80/134/82, 1987

Carl Chiarenza

A work made of oil paint on tan laid paper.

Study for Saint Philip Neri Rescuing a Drowning Youth, 1596/99

Cristoforo Roncalli

A work made of etching and aquatint on ivory laid paper.

Thou Who Canst Not, plate 42 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint in sepia on ivory laid paper.

They Spruce Themselves Up, plate 51 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

Chrysler Motors Building, 1933/34

Kaufmann & Fabry Co.

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of gold, enamel, and glass.

Snuff Box: Portrait of Tsar Alexander I, 1816

A work made of linen, plain weave; screen printed.

Furrows (Furnishing Fabric), 1946

Angelo Testa

A work made of etching and aquatint on ivory laid paper.

Nothing Could Be Done about It, plate 24 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of cast iron.

Cornice Section from the Gage Building, Chicago, Illinois, 1898–99 (removed 1955)

Louis H. Sullivan

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

'Crazy Quilt', 1875/80

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