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A work made of oil paint on tan laid paper.

Study for Saint Philip Neri Rescuing a Drowning Youth, 1596/99

Cristoforo Roncalli

A work made of etching and aquatint on ivory laid paper.

Thou Who Canst Not, plate 42 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint in sepia on ivory laid paper.

They Spruce Themselves Up, plate 51 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of bronze.

Bird with Flat Tail, Geometric Period (800–600 BCE)

Ancient Greek

A work made of etching and aquatint on ivory laid paper.

Nothing Could Be Done about It, plate 24 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

Chrysler Motors Building, 1933/34

Kaufmann & Fabry Co.

A work made of linen, plain weave; screen printed.

Furrows (Furnishing Fabric), 1946

Angelo Testa

A work made of cast iron.

Cornice Section from the Gage Building, Chicago, Illinois, 1898–99 (removed 1955)

Louis H. Sullivan

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

'Crazy Quilt', 1875/80

A work made of etching and aquatint on ivory laid paper.

They Carried Her Off!, plate eight from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching on paper.

The Watermill, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

Black and brown painting of man in suit composed of fractured geometric shapes

Sample (Up 80 X #2), 1945/49

Robert D. Sailors

A work made of gelatin silver prints (triptych).

Untitled Triptych 80/134/82, 1987

Carl Chiarenza

A work made of etching and aquatint on ivory laid paper.

Hobgoblins, plate 49 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

The Chinchillas, plate 50 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching with foul biting in black ink on ivory laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of rattan, square knotted netting; painted.

Black Net, 1982

Joanne Segal Brandford

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