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A work made of charcoal and black chalk with black pastel, stumping, scraping and erasing, and traces of brown charcoal(?), on ivory wove paper, discolored to cream.

Sketch of Trees, 1890/99

Odilon Redon

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of etching and aquatint on ivory laid paper.

Thou Who Canst Not, plate 42 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of oil paint on tan laid paper.

Study for Saint Philip Neri Rescuing a Drowning Youth, 1596/99

Cristoforo Roncalli

A work made of etching and aquatint in sepia on ivory laid paper.

They Spruce Themselves Up, plate 51 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of etching on paper.

The Watermill, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of etching and aquatint on ivory laid paper.

Nothing Could Be Done about It, plate 24 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

Bedcover (Crazy Quilt), 1875/80

A work made of cotton, plain weave; screen printed.

Corrals (Furnishing Fabric), 1951

Angelo Testa

A work made of cast iron.

Cornice Section from the Gage Building, Chicago, Illinois, 1898–99 (removed 1955)

Louis H. Sullivan

A work made of bronze.

Bow Fibula, Geometric Period (800–700 BCE)

Ancient Greek

A work made of etching and aquatint on ivory laid paper.

They Carried Her Off!, plate eight from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and burnishing on ivory wove paper with gilt edges.

Truth has died, plate 79 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching with foul biting in black ink on ivory laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of etching and aquatint on ivory laid paper.

Hobgoblins, plate 49 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

The Chinchillas, plate 50 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of graphite on linen.

860–880 North Lake Shore Drive, Exterior Details, 1/20/1950

Ludwig Mies van der Rohe

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