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A work made of bronze.

Oinochoe (Pitcher), 800-700 BCE

Ancient Greek

A work made of engraving on ivory laid paper.

Apollo on Parnassus, 1517/20

Marcantonio Raimondi

A work made of wool, cotton, and silk, plain, twill, and satin weaves; some with supplementary pile warps forming cut solid velvet; some self-patterned; some warp dyed; and some printed; pieced; backed with wool, plain weave; printed; cotton batting.

Bedcover (Mosaic or Honeycomb Quilt), 1875/80

A work made of linen (canvas), plain weave; embroidered with wool and silk yarns in cross stitch and tent stitch.

Coat of Arms of Alexander II, 19th century

A work made of brush and gray washes, over graphite, on ivory laid paper.

Villa in the Campagna, 1775–80

Jacques Louis David

A work made of etching and aquatint on ivory laid paper.

Love and Death, plate ten from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

When Day Breaks We Will Be Off, plate 71 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of color stipple engraving on paper.

March, August 20, 1793

Francesco Bartolozzi

A work made of cotton, plain weave; screenprinted.

Stilts (Furnishing Fabric), 1951

Angelo Testa

A work made of etching and aquatint on cream laid paper.

The Laundresses, 1879–80

Hilaire Germain Edgar Degas

A work made of gouache, over graphite, on off-white laid paper, laid down on gray board.

Elegant Women at the Trifle, 1919/20

Raoul Dufy

A work made of drypoint and aquatint on cream laid paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of steel.

Close Helmet, 1510/20

A work made of etching and drypoint with foul biting in black ink on light green laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of silver.

Tetradrachm (Coin) Portraying Alexander the Great, 336-323 BCE

Ancient Greek

A work made of porcelain with underglaze blue decoration.

Arita-Ware Apothecary Bottle, 1670/80

A work made of pen and brown ink over graphite (recto) and brush and brown ink and wash over graphite (verso) on cream laid paper prepared with salmon wash.

Saint Lucy and a Saint (recto); Alexander the Great in Profile (verso), 1500/12

Agnolo del Mazziere

A work made of lithograph in black on cream china paper laid down on ivory wove paper.

Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24, 1896

Odilon Redon

A work made of ink and tempera on wood, 20 cutouts on vinyl.

Eddie (Sylvie's Brother) in the Desert, 1965

Oyvind Fahlström

A work made of aquatint on ivory laid paper.

Because She Was Susceptible, plate 32 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

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