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A work made of engraving on ivory laid paper.

Apollo on Parnassus, 1517/20

Marcantonio Raimondi

A work made of color stipple engraving on paper.

March, August 20, 1793

Francesco Bartolozzi

A work made of etching, softground, drypoint, and aquatint in black on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of bronze.

Oinochoe (Pitcher), 800-700 BCE

Ancient Greek

A work made of cotton, plain weave; screenprinted.

Stilts (Furnishing Fabric), 1951

Angelo Testa

A work made of aquatint on ivory laid paper.

Because She Was Susceptible, plate 32 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wool, cotton, and silk, plain, twill, and satin weaves; some with supplementary pile warps forming cut solid velvet; some self-patterned; some warp dyed; and some printed; pieced; backed with wool, plain weave; printed; cotton batting.

Bedcover (Mosaic or Honeycomb Quilt), 1875/80

A work made of gouache, over graphite, on off-white laid paper, laid down on gray board.

Elegant Women at the Trifle, 1919/20

Raoul Dufy

A work made of brush and gray washes, over graphite, on ivory laid paper.

Villa in the Campagna, 1775–80

Jacques Louis David

A work made of oil and ink on paper, laid down on canvas.

Sketch for The Revolt of Cairo, c. 1810

Anne-Louis Girodet de Roussy-Trioson

A work made of color woodblock print; oban.

Ohan and Choemon, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of wood-block print in black ink on moderately thick cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of steel.

Close Helmet, 1510/20

A work made of etching and aquatint on cream laid paper.

The Laundresses, 1879–80

Hilaire Germain Edgar Degas

A work made of drypoint and aquatint on cream laid paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of lithograph in black on cream china paper laid down on ivory wove paper.

Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24, 1896

Odilon Redon

A work made of linen (canvas), plain weave; embroidered with wool and silk yarns in cross stitch and tent stitch.

Coat of Arms of Alexander II, 19th century

A work made of etching and drypoint with foul biting in black ink on light green laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of porcelain with underglaze blue decoration.

Arita-Ware Apothecary Bottle, 1670/80

A work made of sixteen digital color photographs and printed map.

United States, from the Mexican Series, 1997/99

Rosângela Rennó

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