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A work made of etching and aquatint on ivory laid paper.

Love and Death, plate ten from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

When Day Breaks We Will Be Off, plate 71 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of gilt copper, champlevé enamel.

Plaque with Hope, 1160/80

A work made of steel.

Close Helmet, 1510/20

A work made of linen (canvas), plain weave; embroidered with wool and silk yarns in cross stitch and tent stitch.

Coat of Arms of Alexander II, 19th century

A work made of stoneware (jasperware).

Medallion with Head of Medusa, 1774/80

Wedgwood Manufactory

A work made of steel, brass, walnut, and flint.

Pair of Miquelet Pistols, 1760/80

A work made of paper, plain gauze weave; embroidered with cotton, wool, jute, cellulose film and paper, metal foil laminated in cellulose acetate film, paper and rayon, animal collagen strips, wool and metal foil laminated in cellulose acetate film in chain, cross, herringbone, laced herringbone, running, twined double running, simple loop, and stem stitches.

Glorified Potato Bag, 1946

Mariska Karasz

A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

A work made of etching, softground, drypoint, and aquatint in black on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of salted paper print.

Temple d'Amada; Nubie, plate 99 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849/51, printed 1852

Maxime Du Camp

A work made of wool, cotton, and silk, plain, twill, and satin weaves; some with supplementary pile warps forming cut solid velvet; some self-patterned; some warp dyed; and some printed; pieced; backed with wool, plain weave; printed; cotton batting.

Mosaic or Honeycomb Quilt, 1875/80

A work made of brush and gray washes, over graphite, on ivory laid paper.

Villa in the Campagna, 1775–80

Jacques Louis David

A work made of cotton, plain weave; copperplate printed.

The Elements (Furnishing Fabric), 1810/20

Bonaventure M. Lebert

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

Golden Temple of Jehol, 1933/34

Kaufmann & Fabry Co.

A work made of pen and brown ink over graphite (recto) and brush and brown ink and wash over graphite (verso) on cream laid paper prepared with salmon wash.

Saint Lucy and a Saint (recto); Alexander the Great in Profile (verso), 1500/12

Agnolo del Mazziere

A work made of two etchings from one plate, touched with drypoint on ivory laid paper.

Scenes from the Tuileries: The Chairs and the Water Cart, 1760, retouched 1763

Gabriel Jacques de Saint-Aubin

A work made of lithograph in black on cream china paper laid down on ivory wove paper.

Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24, 1896

Odilon Redon

A work made of aquatint on ivory laid paper.

Because She Was Susceptible, plate 32 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Wine, Cheese, and Fruit, 1857

John F. Francis

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