Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

A work made of gouache, over graphite, on off-white laid paper, laid down on gray board.

Elegant Women at the Trifle, 1919/20

Raoul Dufy

A work made of etching and aquatint on ivory laid paper.

Pretty Teacher!, plate 68 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, plain weave; screen printed.

Guinea (Dress or Furnishing Fabric), 1928

Julius Zimpel

A work made of etching, softground, drypoint, and aquatint in black on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of etching and aquatint on ivory laid paper.

Love and Death, plate ten from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

When Day Breaks We Will Be Off, plate 71 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of steel.

Close Helmet, 1510/20

A work made of pen and brown ink over graphite (recto) and brush and brown ink and wash over graphite (verso) on cream laid paper prepared with salmon wash.

Saint Lucy and a Saint (recto); Alexander the Great in Profile (verso), 1500/12

Agnolo del Mazziere

A work made of wool, cotton, and silk, plain, twill, and satin weaves; some with supplementary pile warps forming cut solid velvet; some self-patterned; some warp dyed; and some printed; pieced; backed with wool, plain weave; printed; cotton batting.

Mosaic or Honeycomb Quilt, 1875/80

A work made of brush and gray washes, over graphite, on ivory laid paper.

Villa in the Campagna, 1775–80

Jacques Louis David

A work made of etching and aquatint on cream laid paper.

The Laundresses, 1879–80

Hilaire Germain Edgar Degas

A work made of drypoint and aquatint on cream laid paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of salted paper print.

Temple d'Amada; Nubie, plate 99 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849/51, printed 1852

Maxime Du Camp

A work made of paper, plain gauze weave; embroidered with cotton, wool, jute, cellulose film and paper, metal foil laminated in cellulose acetate film, paper and rayon, animal collagen strips, wool and metal foil laminated in cellulose acetate film in chain, cross, herringbone, laced herringbone, running, twined double running, simple loop, and stem stitches.

Glorified Potato Bag, 1946

Mariska Karasz

A work made of cotton, plain weave; copperplate printed.

The Elements (Furnishing Fabric), 1810/20

Bonaventure M. Lebert

A work made of color woodblock print; edition 16/80.

Maple Trees at Kyoko Pond (Kyokochi koyo), 1968

Hashimoto Okiie

A work made of etching and drypoint with foul biting in black ink on light green laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of lithograph in black on cream china paper laid down on ivory wove paper.

Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24, 1896

Odilon Redon

A work made of porcelain with underglaze blue decoration.

Arita-Ware Apothecary Bottle, 1670/80

<<<28293031 >>>