Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black and colored crayons on brown-gray wove paper, discolored to tan, laid down on cream board.

Painter and Model, July 20, 1970

Pablo Picasso

A work made of color woodblock print; hosoban.

Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80

Kitagawa Utamaro

A work made of etching, burnished aquatint, and drypoint on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and burnished aquatint on white laid paper with title and number in crayon.

Don't scream, stupid, plate 74 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of stoneware (jasperware), gilded wooden frame.

Medusa, 1775/80

Wedgwood Manufactory

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

Ausable River, Ausable Chasm, NY, ed. 20/30

Ausable River, Ausable Chasm, NY, ed. 20/30, October 1988

John Pfahl

A work made of gelatin silver print.

Mirror Lake, Mount Watkins, Yosemite National Park, California, 1925, printed 1975/80

Ansel Adams

A work made of brush and gray wash, with graphite, on cream laid paper.

Woman in a Rustic Interior, n.d.

Style of William Alexander

A work made of pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced).

Mythological Scene: Triumph of Alexander (recto), n.d.

François Chauveau

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of soft-paste porcelain with polychrome enamels and gilding.

Allegorical Figure of Asia, 1770/80

Derby Porcelain Manufactory

A work made of oil on linen.

Study for the Muses (Eaglesmere Version), 1991–94/1997–99

Brice Marden

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

What a Tailor Can Do!, plate 52 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of color woodblock print; oban.

Act IX (Kudanme), from the series “The Treasury of Loyal Retainers (Chushingura)", c. 1798/99

Kitagawa Utamaro

A work made of etching and aquatint on ivory laid paper.

Where is Mother Going?, plate 65 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of steel.

Breastplate, 1500/20

A work made of color woodblock print; oban.

Komurasaki and Gonpachi, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

<<<31323334 >>>