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A work made of color woodblock print; oban.

Act IX (Kudanme), from the series “The Treasury of Loyal Retainers (Chushingura)", c. 1798/99

Kitagawa Utamaro

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of second-state impression laid down on first-state impression
wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color woodblock print; oban.

Komurasaki and Gonpachi, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of color woodblock print; oban.

Hairdresser, from the series "Twelve Types of Women's Handicraft (Fujin tewaza juni ko)", c. 1798/99

Kitagawa Utamaro

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

What a Tailor Can Do!, plate 52 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Where is Mother Going?, plate 65 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of soft-paste porcelain with polychrome enamels and gilding.

Allegorical Figure of Asia, 1770/80

Derby Porcelain Manufactory

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of woodcut in black on ivory laid paper.

The Bearing of the Cross, from The Large Passion, 1498–99, published 1511

Albrecht Dürer

A work made of etching and aquatint on ivory laid paper.

Might not the Pupil Know More?, plate 37 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of steel.

Boy's Fingered Gauntlet for the Left Hand, c. 1560/80

A work made of brush and gray wash, with graphite, on cream laid paper.

Woman in a Rustic Interior, n.d.

Style of William Alexander

A work made of color woodblock print; oban.

Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99

Kitagawa Utamaro

Ausable River, Ausable Chasm, NY, ed. 20/30

Ausable River, Ausable Chasm, NY, ed. 20/30, October 1988

John Pfahl

A work made of paper, plain gauze weave; embroidered with cotton, wool, jute, cellulose film and paper, metal foil laminated in cellulose acetate film, paper and rayon, animal collagen strips, wool and metal foil laminated in cellulose acetate film in chain, cross, herringbone, laced herringbone, running, twined double running, simple loop, and stem stitches.

Glorified Potato Bag, 1946

Mariska Karasz

A work made of color woodblock print; oban.

Hour of the Horse [12 am], Shrine Maiden (Uma no koku, miko), from the series “Customs of Beauties Around the Clock” ("Fuzoku bijin tokei"), c. 1798/99

Kitagawa Utamaro

A work made of engraving in black on ivory laid paper.

Saint Jerome, 1500/99

Raphael de Mey

A work made of etching and aquatint on ivory laid paper.

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of drypoint and aquatint in blue on oatmeal laid paper.

Alphonse Hirsch, February 20, 1875

Hilaire Germain Edgar Degas

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