Curator

  • Art Institute Chicago
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A work made of pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper.

Capriccio with a Squall on the Lagoon, 1775/80

Francesco Guardi

A work made of chiaroscuro woodcut from three blocks in yellow and two shades of gray on ivory laid paper.

Young Woman Standing, Turned to the Right, 1724

Conte Antonio Maria Zanetti, the Elder

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of etching and aquatint on ivory laid paper.

You will not escape, plate 72 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of bronze.

Seal with Quadruped, Geometric Period (800–600 BCE)

Ancient Greek

A work made of color woodblock print; hosoban.

Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80

Kitagawa Utamaro

A work made of etching and aquatint on ivory laid paper.

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of color woodblock print; oban.

Preparing a Meal, c. 1798/99

Kitagawa Utamaro

A work made of gelatin silver print.

Mirror Lake, Mount Watkins, Yosemite National Park, California, 1925, printed 1975/80

Ansel Adams

A work made of linen, plain weave, screen printed.

Textura Prima (Furnishing Fabric), 1945

Angelo Testa

A work made of stoneware (jasperware), gilded wooden frame.

Medusa, 1775/80

Wedgwood Manufactory

A work made of bronze.

Ring with Ingot Bezel, Geometric Period (800–700 BCE)

Ancient Greek

A work made of color woodblock print; edition 16/80.

Maple Trees at Kyoko Pond (Kyokochi koyo), 1968

Hashimoto Okiie

A work made of black and colored crayons on brown-gray wove paper, discolored to tan, laid down on cream board.

Painter and Model, July 20, 1970

Pablo Picasso

A work made of daguerreotype.

Locket, 1839/99

Unknown

A work made of soft-paste porcelain with polychrome enamels and gilding.

Allegorical Figure of Asia, 1770/80

Derby Porcelain Manufactory

A work made of etching, burnished aquatint, and drypoint on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and burnished aquatint on white laid paper with title and number in crayon.

Don't scream, stupid, plate 74 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

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