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A work made of etching and aquatint on ivory laid paper.

All Will Fall, plate 19 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of engraving, on paper.

The Flagellation of Christ, with the Landscape Background, 1475/80

Andrea Mantegna

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

American Can Company, 1933/34

Kaufmann & Fabry Co.

A work made of etching on paper.

Curly Headed Man with a Wry Mouth, 1630/80

Ferdinand Bol

A work made of oil and ink on paper, laid down on canvas.

Sketch for The Revolt of Cairo, c. 1810

Anne-Louis Girodet de Roussy-Trioson

A work made of etching, burnished aquatint and burin on ivory laid paper.

Out Hunting for Teeth, plate twelve from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory wove paper (discolored to cream).

Eve, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

And Still They Don't Go!, plate 59 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of bronze.

Oinochoe (Pitcher), 800-700 BCE

Ancient Greek

A work made of variable media.

Astor Tower, 1955/80

Bertrand Goldberg

A work made of brush and gray wash, with graphite, on cream laid paper.

Woman in a Rustic Interior, n.d.

Style of William Alexander

A work made of wood-block print in black ink, with yellow ocher ink offset, on thin ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso).

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of drypoint on cream laid paper.

The Little Dressing Room, 1879–80

Hilaire Germain Edgar Degas

A work made of pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced).

Mythological Scene: Triumph of Alexander (recto), n.d.

François Chauveau

A work made of steel.

Breastplate, 1500/20

A work made of oil on canvas.

Portrait of a Man, 1790–99

Benjamin West

Ausable River, Ausable Chasm, NY, ed. 20/30

Ausable River, Ausable Chasm, NY, ed. 20/30, October 1988

John Pfahl

A work made of cotton, plain weave; screenprinted.

Stilts (Furnishing Fabric), 1951

Angelo Testa

A work made of pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper.

Capriccio with a Squall on the Lagoon, 1775/80

Francesco Guardi

A work made of drypoint and aquatint in blue on oatmeal laid paper.

Alphonse Hirsch, February 20, 1875

Hilaire Germain Edgar Degas

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