Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color woodblock print; edition 7/20.

The Ruins of Osaka Castle at Night, 1956

Hashimoto Okiie

A work made of variable media.

Astor Tower, 1955/80

Bertrand Goldberg

A work made of drypoint on cream laid paper.

The Little Dressing Room, 1879–80

Hilaire Germain Edgar Degas

A work made of black and colored crayons on brown-gray wove paper, discolored to tan, laid down on cream board.

Painter and Model, July 20, 1970

Pablo Picasso

A work made of oil on canvas.

Landscape with Hunters, 1619

Paul Bril

A work made of sixteen digital color photographs and printed map.

United States, from the Mexican Series, 1997/99

Rosângela Rennó

A work made of pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper.

Capriccio with a Squall on the Lagoon, 1775/80

Francesco Guardi

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced).

Mythological Scene: Triumph of Alexander (recto), n.d.

François Chauveau

A work made of acetate (ninon), plain weave; screen printed.

Tally Box (Furnishing Fabric), 1951

Angelo Testa

A work made of brush and gray wash, with graphite, on cream laid paper.

Woman in a Rustic Interior, n.d.

Style of William Alexander

A work made of bronze.

Biconical Bead, Geometric Period (800–600 BCE)

Ancient Greek

A work made of etching and aquatint on ivory laid paper.

All Will Fall, plate 19 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of color woodblock print; hosoban.

Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80

Kitagawa Utamaro

A work made of stoneware (jasperware), gilded wooden frame.

Medusa, 1775/80

Wedgwood Manufactory

A work made of steel.

Breastplate, 1500/20

A work made of etching, burnished aquatint and burin on ivory laid paper.

Out Hunting for Teeth, plate twelve from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory wove paper (discolored to cream).

Eve, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

And Still They Don't Go!, plate 59 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of watercolor and graphite, with red and brown colored pencils, on cream card, prepared with a gesso-wax ground.

The Embryo, 1935

Knud Merrild

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