Curator

  • Art Institute Chicago
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A work made of bronze.

Leech Fibula (Brooch), Geometric Period (800–700 BCE)

Ancient Greek

A work made of drypoint and aquatint in blue on oatmeal laid paper.

Alphonse Hirsch, February 20, 1875

Hilaire Germain Edgar Degas

A work made of pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced).

Mythological Scene: Triumph of Alexander (recto), n.d.

François Chauveau

A work made of engraving in black on ivory laid paper.

Saint Christopher Carrying the Christ Child, 1515/20

Albrecht Altdorfer

A work made of graphite on cream wove graph paper.

Black Square, Second State, 1915/20

Kasimir Malevich

A work made of etching, burnished aquatint, and drypoint on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and burnished aquatint on white laid paper with title and number in crayon.

Don't scream, stupid, plate 74 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of maple.

Nesting Tables, c. 1939

Eliel Saarinen

A work made of etching and burin on cream laid paper.

The Custody is as Barbarous as the Crime ("The Little Prisoner"), 1810/20

Francisco José de Goya y Lucientes

A work made of steel.

Boy's Fingered Gauntlet for the Left Hand, c. 1560/80

A work made of linen, plain weave, screen printed.

Textura Prima (Furnishing Fabric), 1945

Angelo Testa

A work made of color woodblock print; edition11/80.

Garden with Narrow Path (Komichi no niwa), 1970

Hashimoto Okiie

A work made of bronze.

Seal with Quadruped, Geometric Period (800–600 BCE)

Ancient Greek

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of woodcut on cream japanese paper.

Mez (Mittel-Europaische-Zeit: Weimar), 1919–20

Robert Michel

A work made of etching and drypoint in black ink on ivory laid paper.

The Venetian Mast, 1879/80

James McNeill Whistler

A work made of soft-paste porcelain with polychrome enamels and gilding.

Allegorical Figure of Europe, 1770/80

Derby Porcelain Manufactory

A work made of etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

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