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A work made of wood-block print in black ink on thin ivory japanese paper, laid down on cream wove paper.

Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of two types of charcoal with stumping, scraping, erasing and burnishing, on ivory wove paper (discolored to cream).

Le Nebuleuse, 1875/80

Odilon Redon

A work made of etching and aquatint on ivory laid paper.

Sleep Overcomes Them, plate 34 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of silver, gilt bronze, lapis lazuli.

Crucifixion of Saint Peter, c.1770–80

C. Luigi Valadier

A work made of etching on paper.

Plate 20 of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of bronze.

Bow Fibula (Brooch), Geometric Period (800–700 BCE)

Ancient Greek

A work made of bronze.

Bow Fibula, Geometric Period (800–600 BCE)

Ancient Greek

A work.

HB -27-80. #9, 1980

Harry Bowers

A work made of cotton, satin weave; screenprinted.

Music (Furnishing Fabric), 1945/49

Susan Williams-Ellis

A work made of gelatin silver print.

Vladimir Mayakovsky, 1924, printed 1940s

Aleksandr Mikhailovich Rodchenko

A work made of cotton, plain weave; screen printed.

Shingles (Furnishing Fabric), 1944

Angelo Testa

A work made of bronze.

Leech Fibula (Brooch), Geometric Period (800–700 BCE)

Ancient Greek

A work made of color woodblock print; oban.

Sankatsu and Hanshichi, from the series "Fashionable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of book of photogravures (49) and lithograph (1).

The Old Closes & Streets of Glasgow, 1868/99

Thomas Annan

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on thin white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of pen and black ink over graphite (recto), and pen and black ink, with corrections by the artist in white opaque paint (verso), on cream wove card.

Butterfly (recto); Study of Butterfly (verso), 1898/99

James McNeill Whistler

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