Curator

  • Art Institute Chicago
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A work made of pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper, laid down on ivory laid card.

Christ Entering Jerusalem, 1595/99

Andrea Boscoli

A work made of bronze.

Alexander Agassiz, 1913/20

British

A work made of gelatin silver print.

Alexander Ufer, 1990, printed 2003/04

John Gossage

A work made of gelatin silver print.

Moon and Half Dome, Yosemite Valley, 1960, printed 1975/80

Ansel Adams

A work made of pen and brown ink on ivory laid paper, laid down on ivory laid paper.

Standing Male Nude, 1680/99

Andrea del Sarto

A work made of watercolor and graphite, with red and brown colored pencils, on cream card, prepared with a gesso-wax ground.

The Embryo, 1935

Knud Merrild

A work made of black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper.

Virgin and Child Seated on Clouds, n.d.

Parmigianino

A work made of gelatin silver print.

Knott County Court House, Hindman, KY, 1969/80

Jim Dow

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on white japanese paper.

Human Miseries, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of silver.

Tankard, 1700–20

Cornelius Kierstede

A work made of etching and aquatint on ivory laid paper.

Nobody knows himself, plate six from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color woodblock print; edition 5/20.

Impression, 1957

Sato Hiromu

A work made of watercolor, graphite, and red conté crayon, over watercolor transfer, on cream wove paper.

Sketch for John the Baptist, 1917/20

George William Eggers

A work made of steel.

Reinforcing Breastplate, 1610-20

A work made of etching, aquatint and burin on ivory laid paper.

Hush, plate 28 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of pen and black ink with brush and brown wash, over black chalk (recto), and brush and brown wash over black chalk (verso), on ivory laid paper.

Study for the Sine Baccho et Cerere Friget Venus (recto); Family of Darius before Alexander (verso), n.d.

Jacob Jordaens

A work made of etching and aquatint on ivory laid paper.

Blow, plate 69 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of pen and black ink over graphite (recto), and pen and black ink over graphite, with corrections by the artist in white opaque paint (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of steel, iron and wood.

Cartridge Box, 1570/80

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