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A work made of etching and aquatint on ivory laid paper.

There is Plenty to Suck, plate 45 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Swallow it, dog, plate 58 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of chiaroscuro woodcut in black, ochre, and green on cream laid paper.

Cliff on a Seashore, from Four Small Landscapes, 1597/1600, printed 1605/20

Hendrick Goltzius

A work made of etching and aquatint on ivory laid paper.

And his house is on fire, plate 18 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of steel, iron and wood.

Cartridge Box, 1570/80

A work made of rattan, square knotted netting; painted.

Black Net, 1982

Joanne Segal Brandford

A work made of etching on paper.

Plate 20 of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

A work made of cotton, plain weave; screen printed.

Sportsmen's Blues (Furnishing Fabric), 1942 (produced c. 1947)

Angelo Testa

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Wayside Shrine in Brittany, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin laid ivory japanese paper, laid down on thin wove white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

Even Thus he Cannot Make Her Out, plate seven from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Trials, plate 60 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of two types of charcoal with stumping, scraping, erasing and burnishing, on ivory wove paper (discolored to cream).

Le Nebuleuse, 1875/80

Odilon Redon

A work made of silver.

Tankard, 1700–20

Cornelius Kierstede

A work made of etching and aquatint on ivory laid paper.

Those specks of dust, plate 23 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

There it Goes, plate 66 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of charcoal and black chalk with black pastel, stumping, scraping and erasing, and traces of brown charcoal(?), on ivory wove paper, discolored to cream.

Sketch of Trees, 1890/99

Odilon Redon

A work made of watercolor, graphite, and red conté crayon, over watercolor transfer, on cream wove paper.

Sketch for John the Baptist, 1917/20

George William Eggers

A work made of steel.

Reinforcing Breastplate, 1610-20

A work made of cotton, plain weave; screen printed.

Staccato (Furnishing Fabric), 1951

Angelo Testa

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