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A work made of two types of charcoal with stumping, scraping, erasing and burnishing, on ivory wove paper (discolored to cream).

Le Nebuleuse, 1875/80

Odilon Redon

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Wayside Shrine in Brittany, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin laid ivory japanese paper, laid down on thin wove white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

Even Thus he Cannot Make Her Out, plate seven from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Trials, plate 60 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silver.

Tankard, 1700–20

Cornelius Kierstede

A work made of etching and aquatint on ivory laid paper.

Those specks of dust, plate 23 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

There it Goes, plate 66 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of watercolor, graphite, and red conté crayon, over watercolor transfer, on cream wove paper.

Sketch for John the Baptist, 1917/20

George William Eggers

A work made of steel.

Reinforcing Breastplate, 1610-20

A work made of charcoal and black chalk with black pastel, stumping, scraping and erasing, and traces of brown charcoal(?), on ivory wove paper, discolored to cream.

Sketch of Trees, 1890/99

Odilon Redon

A work made of black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper.

Virgin and Child Seated on Clouds, n.d.

Parmigianino

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of cotton, plain weave; screen printed.

Filo (Furnishing Fabric), 1942

Angelo Testa

A work made of oil paint on tan laid paper.

Study for Saint Philip Neri Rescuing a Drowning Youth, 1596/99

Cristoforo Roncalli

A work made of etching and aquatint on ivory laid paper.

Thou Who Canst Not, plate 42 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint in sepia on ivory laid paper.

They Spruce Themselves Up, plate 51 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of engraving in black on ivory laid paper.

The Flagellation of Christ, with the Pavement, 1475/80

School of Andrea Mantegna

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

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