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A work made of linen; plain weave; screen printed.

Textura Quatra (Furnishing Fabric), 1945

Angelo Testa

A work made of etching, softground, drypoint, and aquatint in black on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of etching, burnished aquatint and burin on ivory laid paper.

Out Hunting for Teeth, plate twelve from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory wove paper (discolored to cream).

Eve, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

And Still They Don't Go!, plate 59 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink, with yellow ocher ink offset, on thin ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso).

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wool, cotton, and silk, plain, twill, and satin weaves; some with supplementary pile warps forming cut solid velvet; some self-patterned; some warp dyed; and some printed; pieced; backed with wool, plain weave; printed; cotton batting.

Mosaic or Honeycomb Quilt, 1875/80

A work made of brush and gray washes, over graphite, on ivory laid paper.

Villa in the Campagna, 1775–80

Jacques Louis David

A work made of oil on canvas.

Portrait of a Man, 1790–99

Benjamin West

A work made of pen and brown ink over graphite (recto) and brush and brown ink and wash over graphite (verso) on cream laid paper prepared with salmon wash.

Saint Lucy and a Saint (recto); Alexander the Great in Profile (verso), 1500/12

Agnolo del Mazziere

A work made of oil and ink on paper, laid down on canvas.

Sketch for The Revolt of Cairo, c. 1810

Anne-Louis Girodet de Roussy-Trioson

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

American Can Company, 1933/34

Kaufmann & Fabry Co.

A work made of etching and aquatint on cream laid paper.

The Laundresses, 1879–80

Hilaire Germain Edgar Degas

A work made of pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of drypoint and aquatint on cream laid paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of cotton, plain weave; copperplate printed.

The Elements (Furnishing Fabric), 1810/20

Bonaventure M. Lebert

A work made of etching, aquatint, drypoint and burin in black on ivory laid paper.

Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of bronze.

Oinochoe (Pitcher), 800-700 BCE

Ancient Greek

A work made of color woodblock print; edition 16/80.

Maple Trees at Kyoko Pond (Kyokochi koyo), 1968

Hashimoto Okiie

A work made of rayon, metallic foil encased in polyester film, cotton, and acetate, plain weave.

Sample (Up 99 R #1), 1948

Robert D. Sailors

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