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A work made of lithograph on ivory wove paper.

The Black Bull, April 20, 1947

Pablo Picasso

A work made of bronze.

Saint Francis of Assisi; Base with Putti, 1600/20

Nicolò Roccatagliata

A work made of gilt copper, champlevé enamel.

Plaque with Hope, 1160/80

A work made of silk, plain weave; screen printed.

Guinea (Dress or Furnishing Fabric), 1928

Julius Zimpel

A work made of engraving in black on ivory laid paper.

The Virgin and Child with Saint Anne at the Cradle, 1515/20

Albrecht Altdorfer

A work made of steel.

Close Helmet, c. 1510/20

Earthenware pitcher with swirly designed handle and luster leaf patterns decorated with a chest-high portrait of a dressed-up lady looking left.

Pitcher with Images of Prince Leopold and Princess Charlotte, 1810/20

A work made of woodcut on paper.

Leaf from Discorsi by Petrus Andreas Matthiolus, plate 99 from Woodcuts from Books of the XVI Century, 1565, assembled into portfolio 1937

Unknown artist

A work made of stoneware (jasperware).

Medallion with Head of Medusa, 1774/80

Wedgwood Manufactory

A work made of steel, brass, walnut, and flint.

Pair of Miquelet Pistols, 1760/80

A work made of oil on canvas.

#80 After-image: Metronome, 1973

Jacqueline Gourevitch

A work made of color lithograph on cream wove paper.

Uxbridge: Across the Colne to Beechy Bucks, April 20, 1922

Charles Paine

A work made of polished walnut, mother–of–pearl, and brass with leather seat.

Armchair No. 8, 1898/99

Otto Wagner

A work made of steel, brass, flint, leather, and walnut.

Flintlock Powder Tester, 1810/20

Guillaume Berleur

A work made of gelatin silver prints.

Paper Moon Portraits, 1910/20

Unknown

A work made of color woodblock print; edition 4/20.

The Observing Eye, 1959

Azechi Umetaro

A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

A work made of etching, softground, drypoint, and aquatint in black on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of etching and aquatint on ivory laid paper.

Pretty Teacher!, plate 68 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Love and Death, plate ten from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

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