Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite and incising on cream wove tracing paper (discolored to tan), tipped on ivory wove paper.

Study for San Francisco, 1855–56

Charles Meryon

A work made of huanghuali wood.

Painting Table, Qing dynasty (1644–1911), late 17th/early 18th century

A work made of etching and drypoint with burnishing and scraping on ivory laid paper.

Portrait of René de Laudonnière Sablais (de Burdigale), 1861

Charles Meryon

A work made of etching, from two plates, one printed in black and the other in red, on ivory laid paper.

Address-Card of the Printseller, Rochoux, c. 1855

Charles Meryon

A work made of etching with engraving and burnishing on grayish ivory laid paper.

Portrait of Louis Jacques Marie Bizeul, the Breton Archaeologist, 1861

Charles Meryon

A work made of etching, from two plates, one printed in black and the other in red, on ivory laid paper.

Address-Card of the Printseller, Rochoux, c. 1855

Charles Meryon

A work made of etching with drypoint on tan wove chine, laid down on ivory wove paper.

La Pompe Notre-Dame, Paris, 1852

Etienne Leguay

A work made of silk, cut, uncut, and voided velvet against satin weave foundation.

Fragment, 18th century

A work made of leather, silk, cut velvet weave, with needlework and sequins.

Pair of Sandals, 19th century

A work made of etching with drypoint on verdâtre (greenish) laid chine.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

A work made of etching with burnishing on grayish ivory laid chine.

Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields, 1863

Charles Meryon

A work made of gillotage in black on ivory wove paper.

Study for Share Certificates in a Fraudulent Franco-Californian Company, No. 2, 1855

Charles Meryon

A work made of red conté crayon with graphite on cream wove tracing paper (discolored to tan), tipped on cream wove card.

Diagram, n.d.

Charles Meryon

A work made of etching with drypoint on tan laid paper.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

A work made of etching with drypoint in brown on ivory laid paper.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

A work made of dark brown ink on coated ivory laid paper.

Receipt, January 23, 1865

Charles Meryon

A work made of etching on light blue laid paper.

Portrait of Meryon, 1853

Félix Henri Bracquemond

A work made of etching on ivory wove paper.

Pompe Notre-Dame, Paris, small plate, 1854

Charles Meryon

A work made of etching on ivory laid paper.

Pompe Notre-Dame, Paris (small plate), 1854

Charles Meryon

A work made of etching with drypoint on tan laid paper.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

<<<895896897898 >>>