Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor, over brown crayon (recto), and charcoal (verso) on ivory wove paper.

The Dancer, 1913-14

David Bomberg

A work made of color woodblock prints; septaptych.

The Qing Army's Foolish Plan of Using Tigers as Weapons, 1895

Shôsô Mishima

A work made of color woodblock prints; triptych.

Our Scout Reconnoiters the Enemy Encampment near the Yalu River, 1894

Kobayashi Kiyochika

A work made of color woodblock prints; triptych.

Picture of the Highest Visit in the Field Hospital, 1895

Kobayashi Kiyochika

A work made of black and white duratrans photo in lightbox.

Cinema (Record), 2003

A work made of black and white duratrans photo in lightbox.

Cinema (Bayamo), 2003

A work made of color woodblock prints; triptych.

Scene of the Land-based Battery Attack on Weihaiwei, 1895

Kobayashi Kiyochika

A work made of color woodblock prints; triptych.

Negotiations Between the Japanese and Russian Representative, 1904

A work made of oil on canvas.

Ice-Bound Falls, 1919

Ernest Lawson

A work made of oil on canvas.

Threatening, 1891

George Inness

A work made of stone.

Two Heads, Mid-20th century

Inuit

A work made of stone.

Face and Hand, Before 1975

Inuit

A work made of oil on canvas.

Mrs. Thomas Sprigg, 1764

John Hesselius

A work made of offset lithograph on paper.

Love (Butterfly), 1970

Edgardo Giménez

A work made of offset lithograph on paper.

Untitled (Fuera de caja proof), 1970

Edgardo Giménez

A work made of offset lithograph on paper.

Serie "Por siempre Ameba" de Luciana Daelli, 1968

Edgardo Giménez

A work made of offset lithograph on paper.

Love (Hearts), 1967

Edgardo Giménez

A work made of offset lithograph on paper.

Roi Escudero—Los que se disfrazan de sol con alfileres de gancho, 1967

Edgardo Giménez

A work made of offset lithograph on paper.

Edgardo Giménez—Tapices—Galería el Sol, 1967

Edgardo Giménez

A work made of offset lithograph on paper.

Los medios audiovisuales en la comunidad contemporánea, 1966

Edgardo Giménez

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