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Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of book with forty-nine etchings in black on ivory wove paper.

The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London, 1762

Giovanni Battista Piranesi

The End is the Beginning

The End is the Beginning, 1955

Joseph Cornell

A work made of etching on ivory laid paper.

Arch of Galienus. I. Facade of the Church of S. Vito, plate 29 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Tomb of Caecilia Metella, from Views of Rome, 1762, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome, 1776, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Arch of Constantine, from Views of Rome, 1771, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the Colosseum, from Views of Rome, 1766, published 1807–35

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Tomb of the three Curiatii brothers in Albano, plate 27 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Temple of Clitumnus between Foligno and Spoleto, plate 26 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Ampitheater of Verona, plate 25 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Arch of Pola in Istria near the Gate, plate 24 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Ampitheater of Pola in Istria near the sea, plate 23 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views of Triumphal Arches and other Monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Temple of Pola in Istria, plate 21 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Tomb of Caecilia Metella called Capo di Bove [Ox Head], plate twenty from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, plate 19 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Tomb of the Scipios, plate 18 from Some Views of Triumphal Arches and other arches, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

The Arch at Rimini built by Augustus, plate 17 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

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