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A work made of graphite on tan wove tracing paper.

Study for San Francisco, far right section, 1855–56

Charles Meryon

A work made of graphite on buff laid paper, tipped on ivory laid paper.

A New Zealand Float, n.d.

Charles Meryon

A work made of etching on ivory laid paper.

Rebus: 'No, Morny is not dead for he is marrying again', January 1866

Charles Meryon

A work made of reproduction of an etching on ivory laid paper.

The Ploughman and His Horse, 1854

Charles Meryon

A work made of graphite on ivory laid paper, tipped onto ivory laid paper.

Rue des Toiles, Bourges, 1853

Charles Meryon

A work made of portfolio lettered in ink and color.

Portfolio, May 10, 1890

Charles Meryon

A work made of etching on ivory laid paper, with ivory laid paper affixed at bottom.

Pompe Notre-Dame, Paris, small plate, 1854

Charles Meryon

A work made of etching with drypoint on verdâtre (greenish) laid chine.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

A work made of etching, from a tin plate, on grayish ivory laid chine, laid down on ivory card.

Portrait of Armand Guéraud of Nantes, Printer and Man of Letters, 1861–62

Charles Meryon

A work made of etching with engraving on ivory chine, laid down on ivory laid paper.

Portrait of Louis Jacques Marie Bizeul, the Breton Archaeologist, 1861

Charles Meryon

A work made of etching and drypoint on paper.

L'Arche du Pont Notre-Dame, 1853

Charles Meryon

A work made of graphite on tan wove tracing paper.

Study for San Francisco, center left section, 1855–56

Charles Meryon

A work made of graphite on tan wove tracing paper.

Study for San Francisco, far left section, 1855–56

Charles Meryon

A work made of graphite on buff wove card.

Portrait of Charles Meryon, 1863

Henri Monnier

A work made of red conté crayon with graphite on cream wove tracing paper (discolored to tan), tipped on cream wove card.

Diagrammatic sketch of building, n.d.

Charles Meryon

A work made of etching with scraping on ivory laid paper.

Little Prince Dito, 1864

Charles Meryon

A work made of etching with engraving in warm black with the title printed à la poupée in red ink on cream laid paper.

Rebus: Here Lies the Ancient Vendetta, 1862

Charles Meryon

A work made of etching on ivory laid paper.

Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields, 1863

Charles Meryon

A work made of etching on ivory laid paper.

Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields, 1863

Charles Meryon

A work made of etching and drypoint with burnishing on grayish ivory laid chine, tipped onto ivory wove japanese paper.

Portrait of René de Laudonnière Sablais (de Burdigale), 1861

Charles Meryon

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