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A work made of etching on verdâtre (greenish) laid paper.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of etching in warm black with some printing à la poupée in copper ink, on ivory laid paper.

Design for a Frame for the Portrait of Armand Guéraud, 1862

Charles Meryon

A work made of etching and drypoint on ivory japanese paper.

The Printer Valère Maxime being Presented to King Louis XI, 1860

Charles Meryon

A work made of etching, from tin plate, on grayish ivory laid chine, hinged to ivory laid paper.

Portrait of Armand Guéraud of Nantes, Printer and Man of Letters, 1861–62

Charles Meryon

A work made of etching on tan wove chine, hinged to ivory wove card.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of carved red lacquer.

Carved Lacquer Box, Ming dynasty (1368–1644), Wanli period (1573–1620)

A work made of color ink wash.

Wall Drawing #574: Fifteen equal arcs from the midpoint of the left side, with all one-, two-,three-, and four-part combinations of four colors, using color ink washes, 1988

Sol LeWitt

A work made of graphite on cream wove tracing paper (discolored to tan), tipped on ivory wove card.

Study for San Francisco, 1855–56

Charles Meryon

A work made of oil on canvas.

Clock, 1961

Bruce Conner

A work made of graphite on buff laid paper.

A Dredge, n.d.

Charles Meryon

A work made of etching with scraping on ivory laid paper.

Little Prince Dito, 1864

Charles Meryon

A work made of gillotage in black on ivory wove paper.

Study for Share Certificates in a Fraudulent Franco-Californian Company, No. 1, 1855

Charles Meryon

A work made of stainless steel with aluminum paint.

Discontinuous Aggregates, 1966

Robert Smithson

A work made of bronze.

The Bride, 1970

Barbara Hepworth

A work made of etching with drypoint on tan wove chine, laid down on ivory wove paper.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

A work made of oil on canvas.

Artist in the Suburbs, 1978

Seymour Rosofsky

A work made of etching, from a tin plate, on ivory laid china paper.

Benjamin Fillon, homme de lettres, 1862

Charles Meryon

A work made of outer panels: cotton, warp-faced, weft-ribbed plain weave with supplementary patterning wefts; embellished with discontinuous supplementary wrapping elements; ends embroidered with cotton and wool in buttonhole stitches; couching; center panel: cotton and silk, warp-faced, weft-ribbed plain weave with supplementary patterning and brocading wefts; seam embroidered with cotton and wool in scroll stitches; couching.

Man's Loin Cloth (pa deri), 1920/45

Mru Chin

A work made of lithograph on buff wove paper.

Nonza, Corsica, 1934

Maurits Cornelis Escher

A work made of graphite on tan wove tracing paper.

Study for San Francisco, center right section, 1855–56

Charles Meryon

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