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A work made of silk, cut, and voided velvet against satin weave foundation.

Fragment, 15th century

A work made of etching on verdâtre (greenish) china paper.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of linen and horsehair, needle lace of a type known as "point d'argentan" with a whipped mesh ground.

Border, 1820s

A work made of etching on ivory wove chine, laid down on ivory laid paper.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of etching, from two plates, one printed in warm black, the other in red ink, on ivory wove paper.

Solar Law, 1855

Charles Meryon

A work made of etching and engraving with burnishing on ivory laid paper.

Frontispiece for the Catalogue of the Engravings of Thomas De Leu, 1866

Charles Meryon

A work made of etching on ivory laid paper.

Lunar Law, No. 2, 1866

Charles Meryon

A work made of etching with foul biting, hand-colored with watercolor, on ivory laid paper.

Lunar Law, No. 1, 1856

Charles Meryon

A work made of etching with scraping and burnishing on grayish ivory laid paper.

Design for a Frame for the Portrait of Armand Guéraud, 1862

Charles Meryon

A work made of etching with chatter and scraping in warm black on ivory laid paper.

Lunar Law, No. 2, 1866

Charles Meryon

A work made of etching with foul biting, hand-colored with watercolor, on ivory laid paper.

Lunar Law, No. 1, 1856

Charles Meryon

A work made of etching on ivory laid paper.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of etching on verdâtre (greenish) laid chine.

House with a Turret, rue de la Tixéranderie, 1852

Charles Meryon

A work made of wood and iron.

Fireman's Pick Ax, Edo period (1615–1868), 1600/1868

A work made of etching and engraving on ivory laid paper.

Frontispiece for the Catalogue of the Work of Thomas De Leu, 1866

Charles Meryon

A work made of etching on ivory laid paper.

House with a Turret, rue de la Tixéranderie, 1852

Charles Meryon

A work made of etching, from two plates, one printed in warm black and one in red ink, on ivory laid paper.

Solar Law, 1855

Charles Meryon

A work made of etching on ivory laid paper.

Juda and Thamar, n.d.

Pieter Lastman

A work made of etching and drypoint on grayish ivory laid paper.

The Printer Valère Maxime being Presented to King Louis XI, 1860

Charles Meryon

A work made of etching and engraving in black on ivory laid paper.

Joost van den Vondel, 1644/50

Jan Lievens

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