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A work made of cotton and rayon, plain weave self-patterned by main warp and ground weft floats.

Sample, 1926/65

Anni Albers

A work made of linen, plain weave and plain 1:1 gauze weave.

Sample, 1926/65

Anni Albers

A work made of linen, plain 1:1 gauze weave; h: linen and gilt-metal-strip-wrapped cotton, plain 1:1 gauze weave with paired wefts.

Sample, 20th century

Anni Albers

A work made of linen, simple vertical interlooping.

Sample, 1926/65

Anni Albers

A work made of cotton, cellulose and plastic, plain weave.

Sample, 20th century

Anni Albers

A work made of cellulose, combined twill weave.

Sample, 20th century

Anni Albers

A work made of cotton and synthetic fiber, plain weave.

Sample, 20th century

Anni Albers

A work made of linen, plain weave.

Sample, 20th century

Anni Albers

A self-portrait oil painting of American artist Archibald John Motley, Jr. He wears a white shirt, a black tie with a diamond horseshoe pin, and a brown jacket; in his left hand he holds a palette, upon which are splotches of paint arranged according to the order of the color wheel; in his right hand he holds a long, slender paintbrush. Motley’s eyes are directed towards the viewer, he has a small mustache, and his light brown skin is contrasted by the black background.

Self-Portrait, c. 1920

Archibald John Motley Jr.

A work made of cotton, plain weave self-patterned by main warp and ground weft floats.

Sample, 20th century

Anni Albers

A work made of cotton, rayon, and acrylic, bands of four-color complementary warp plain weave, weft-faced plain weave, weft-faced plain weave of discontinuous wefts, plain weave of discontinuous wefts, and gauze weave; main warp fringe.

Northwesterly, 1957

Anni Albers

A work made of linen, warp-stripe, weft-bonded plain weave with open work and self-patterned by areas of discontinuous wefts, discontinuous single interlocking wefts, and gauze weave backed in areas with plain weave and/or main warp and ground weft floats.

Development in Rose II, 1952

Anni Albers

A work made of linen, jute and rayon; end sections: plain weave with supplementary, paired patterning warps and supplementary binding wefts; center section: plain weave with supplementary brocading wefts, alternating two-color main warp in pairs; edges bound in ribbon of cotton and rayon.

Study for Six Prayers: No. IV, 1965-66

Anni Albers

A work made of graphite, with touches of erasing, on cream wove paper.

Hairy Who (cat-a-log), 1969

James Falconer

A work made of color screenprint on yellow wove paper, laid down on oil-painted linoleum.

Untitled, 1968

James Falconer

A work made of color screenprint on white paper.

Hateha, 1968

James Falconer

A Monument to Social Security

A Monument to Social Security, 1960s

Art Green

A work made of color fiber-tipped pens, with blue ballpoint pen (recto), and graphite (verso) on cream wove paper.

Untitled, 1965

Art Green

A work made of offset lithograph in black on coated off-white wove paper.

Toys Made by Chicago Artists, 1966

Suellen Rocca

A work made of offset lithograph in black on coated white wove paper.

Thats Me: Gladys Nilsson, 1969

Gladys Nilsson

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