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A work made of watercolor on paper.

The Artist's Farm and Vineyard, n.d.

Ernst Damitz

A work made of pen and brown ink, with brush and brown wash and white gouache, over graphite, on gray wove paper, laid down on ivory wove paper.

Bridge at Croyland, c. 1860–69

John Ruskin

A work made of graphite (recto and verso) on buff wove paper.

Fortresses in Tyrol, near Mals (recto); Castle in Lenzburg (verso), 1839/1900

John Ruskin

A work made of watercolor over graphite on cream wove paper, laid down on cream wove paper.

Mont Saleve, c. 1840

John Ruskin

A work made of watercolor on ivory wove paper.

Beverly N.J., 1880/89

Thomas Moran

A work made of pen and brown ink with brush and watercolor, heightened with white gouache, and squared in graphite, on cream laid paper, laid down on cream laid card.

The Raising of Lazarus, 1780

Benjamin West

A work made of pen and black ink, on off-white wove card.

Initial Letters - Essentials at Fort Adobe - Letter T, 1881/1909

Frederic Remington

A work made of black chalk heightened with traces of white chalk, on gray laid paper, perimeter mounted to cream wove card.

Portrait of a Man Standing in Front of Window, n.d.

Benjamin West

A work made of watercolor with graphite on tan wove card.

Self-Portrait, n.d.

Joseph Mallord William Turner

A work made of pen and brown ink, on gray laid paper, perimeter mounted to cream wove card.

Two Sketches of a Weeping Woman, n.d.

Benjamin West

A work made of pen and brown ink with watercolor over graphite (recto) and graphite (verso) on off-white wove paper.

Dirt Road Landscape (recto); Landscape (verso), n.d.

James "Drunken" Robertson

A work made of oiled charcoal, on ivory wove paper, laid down on board.

The Royal Palace, Madrid, c. 1903

Joseph Pennell

A work made of pen and red and black ink, with brush and watercolor, over traces of graphite, on ivory wove paper tipped onto cream wove paper.

Stealing the Preserves, 1815/20

Thomas Rowlandson

A work made of oiled charcoal, on ivory laid paper, laid down on board.

Approach to Segovia, c. 1903

Joseph Pennell

A work made of oiled charcoal, heightened with white pastel, on ivory wove paper, laid down on board.

Side Chapels, the Cathedral, Toledo, c. 1903

Joseph Pennell

A work made of oiled charcoal, heightened with touches of white pastel, on cream wove paper, laid down on board.

Segovia from the Corner Tower, c. 1903

Joseph Pennell

A work made of oiled charcoal, heightened with touches of white pastel, on ivory laid paper, laid down on board.

A Grand and Shadowy Grove of Marble, c. 1903

Joseph Pennell

A work made of oiled charcoal, heightened with touches of white pastel, on cream wove paper, laid down on board.

The Chapter House, Toledo Cathedral, c. 1903

Joseph Pennell

A work made of oiled charcoal, on cream wove paper, laid down on board.

The High Altar, Escorial, c. 1903

Joseph Pennell

A work made of oiled charcoal, on cream wove paper, laid down on board.

The Borders of the Tagus, c. 1903

Joseph Pennell

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