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A work made of transfer lithograph in dark gray on cream japanese paper.

Draped Figure, Standing, 1891

James McNeill Whistler

A work made of lithograph, from thin, transparent paper, from four stones, red-orange and brown (keystone), orange, and ochre inks, on ivory laid paper.

Draped Figure, Standing, 1891

James McNeill Whistler

A work made of transfer lithograph in black on cream japanese paper.

Mother and Child, No. 3, 1891/95

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

Mother and Child, No. 2, 1891/95

James McNeill Whistler

A work made of transfer lithograph, with scraping and stumping, in black on cream laid paper.

Mother and Child, No. 1, 1891, printed 1895

James McNeill Whistler

A work made of transfer lithograph in black with scraping, on cream laid paper.

Stephane Mallarmé, No. 2, 1892

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

Portrait Study: Miss Charlotte R. Williams, 1892

James McNeill Whistler

A work made of transfer lithograph in black on ivory japanese paper.

Mother and Child, No. 4, 1891, printed 1895

James McNeill Whistler

A work made of transfer lithograph in gray-black on ivory laid paper.

Stéphane Mallarmé, 1892

James McNeill Whistler

A work made of transfer lithograph from five stones, in black (keystone), blue-green, olive green, yellow-green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory wove paper.

Draped Figure, Reclining, 1892

James McNeill Whistler

A work made of transfer lithograph in black on ivory wove proofing paper.

The Fireplace, 1893

James McNeill Whistler

A work made of transfer lithograph in gray-black on grayish ivory wove paper, laid down on off-white plate paper (chine collé).

Stéphane Mallarmé, 1892, published 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Gabled Roofs, 1893

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

The Marketplace, Vitré, 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Vitré: The Canal, 1893

James McNeill Whistler

A work made of transfer lithograph, with scraping, from six stones in black (keystone), greenish gray, brown, green, yellow, and gray on ivory laid paper.

Yellow House, Lannion, 1893

James McNeill Whistler

A work made of transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream wove japanese vellum.

Red House, Paimpol, 1893

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

The Clock-Makers, Paimpol, 1893

James McNeill Whistler

A work made of transfer lithograph with scraping, from five stones, in black (keystone), green, yellow, gray, and medium gray, on cream japanese paper.

Yellow House, Lannion, 1893

James McNeill Whistler

A work made of transfer lithograph in black ink with stumping, on ivory laid paper.

Nude Model, Reclining, 1893

James McNeill Whistler

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