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A work made of wood-block print, printed twice in brown and black ink, on cream wove japanese paper laid down on cream wove japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper perimeter mounted on white japanese paper.

Buddha, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping of the brown, and hand-applied green, blue, two yellows, and pink watercolor on ivory wove japanese paper laid down on cream laid japanese paper (a laminate made by the artist).

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan).

Te faruru (Here We Make Love), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory japanese paper, laid down on cream wove card.

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream japanese paper.

Te atua (The God) from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink, with hand-applied red, blue, green, yellow, red-orange, and silver-gray watercolor on tan wove paper.

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove japanese paper laid down on cream laid japanese paper (a laminate made by the artist).

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper.

Tahitian Idol—the Goddess Hina, 1894/95

Paul Gauguin

A work made of wood-block print in black ink manipulated with brush and solvent, on ivory japanese paper, laid down on cream japanese paper.

Maori Woman in the Forest, 1894/95

Paul Gauguin

A work made of wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory japanese paper, laid down on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove japanese paper, laid down on cream wove japanese paper.

Auti te pape (Women at the River), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso).

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of pastel monotype, with touches of pastel, on cream wove japanese paper, laid down on cream wove japanese paper.

Reclining Tahitian (fragment), 1894

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Nov. 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink with touches of pink watercolor, and wood-block print in ocher ink, on cream wove paper.

Le sourire: Journal sérieux, Aug. 21, 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block print in black ink, on cream wove paper.

Le sourire: Journal méchant, Feb. 1900, 1900

Paul Gauguin

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