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A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixed.

Heads of Tahitian Women, Frontal and Profile Views, 1891/93

Paul Gauguin

A work made of wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue.

Maoris and Animals, 1896/97

Paul Gauguin

A work made of salted paper print (extremely faded) toned with watercolor, on cream wove silver printing-out paper, laid down on cream card (recto); albumen print laid down on cream card (verso).

The Yellow Christ (recto), Female Bather Wading through a Brook, c. 1889

Paul Gauguin

A work made of graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook).

Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook), 1891/93

Paul Gauguin

A work made of black fabricated chalk, with black fabricated chalk offset, on cream wove paper (removed from a sketchbook).

Sketches of Tahitian Residence with Color Notations and Dogs, 1891/93

Paul Gauguin

A work made of black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook).

Sketches of Figures, Pandanus Leaf, and Vanilla Plant, 1891/93

Paul Gauguin

A work made of lithograph in black on ivory wove paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale, 1893–94

Paul Gauguin

A work made of wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory japanese paper, laid down on cream japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of wood-block print in black ink on cream wove paper.

Horse, with Other Animals and Ornaments, 1899/1900

Paul Gauguin

A work made of pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso), 1891/93

Paul Gauguin

Photograph of Painting: Female Bather Wading Through a Brook

Photograph of Painting: Female Bather Wading Through a Brook, after 1889

Paul Gauguin

A work made of watercolor on cream laid paper, laid down on cream japanese paper.

Still Life with Cat, c. 1899

Paul Gauguin

A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.

Woman with a Cat, c. 1900

Paul Gauguin

A work made of black fabricated chalk with watercolor, on mottled blue wove paper with blue fibers, altered to light gray (recto); black fabricated chalk, with pen and brown ink, on mottled blue wove paper with blue fibers, altered to bluish-gray (verso) (removed from a sketchbook).

Sketches of Figures and Foliage (recto); Profile of Charles Laval with Palm Tree and Other Sketches (verso), 1887

Paul Gauguin

A work made of black fabricated chalk, red chalk, brush and brown wash, with pen and brown ink, on cream wove paper, with later additions in graphite.

Jean René Gauguin, 1881

Paul Gauguin

A work made of watercolor, with touches of gouache, over graphite, on tan wove paper.

Tahitian Hut, 1891/93

Paul Gauguin

A work made of watercolor and gouache, with touches of pen and black ink, over traces of graphite, on cream japanese paper (pieced), laid down on cream wove paper.

Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina, 1900/03

Paul Gauguin

A work made of gouache, over a white ground, on gray millboard.

Portrait of the Artist’s Mother (Eve), 1889/90

Paul Gauguin

A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

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