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A work made of watercolor and graphite on irregularly shaped cream wove japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper.

Seated Tahitian Youth, 1894/1903

Paul Gauguin

A work made of monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream japanese paper, laid down on tan wove paper (partially removed).

Two Tahitian Women in a Landscape, c. 1892

Paul Gauguin

A work made of gauguin monogram and artist's name in latin letters on heavy blue-green wove card.

Cover to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

A work made of letterpress in black on heavy blue-green wove paper.

Title Page to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

A work made of watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper.

Pape moe, 1893/94

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1893/94, printed and published in 1921

Paul Gauguin

A work made of wood-block print in black ink on ivory china paper.

Three People, a Mask, a Fox and a Bird, headpiece forLe sourire, 1899, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Noa Noa (Fragrant), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Mahana atua (Day of the God), 1894/95, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Te po (The Night), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of zincograph in black on ivory wove paper (imitation japanese vellum).

Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite, 1889, printed after 1911

Paul Gauguin

A work made of wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Auti te pape (Women at the River) from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of zincograph in black on ivory wove paper (an imitation japanese vellum).

Old Women of Arles, from the Volpini Suite, 1889, printed after 1911

Paul Gauguin

A work made of black fabricated chalk with pastel on ivory laid paper.

Seated Breton Woman, 1886

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893/94, printed 1921

Paul Gauguin

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

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