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A work made of transfer lithograph in black on ivory laid paper.

Waterloo Bridge, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

St. Anne's, Soho, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, scraping, and incising, on cream laid paper.

Charing Cross Railway Bridge, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Evening, Little Waterloo Bridge, 1896

James McNeill Whistler

A work made of lithotint in black with scraping, on ivory chine, laid down on off-white plate paper.

The Thames, 1896

James McNeill Whistler

A work made of lithotint in black, with scraping on stone, on cream wove proofing paper.

The Thames, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory japanese paper.

Portrait Study: Mrs. Philip, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on ivory laid paper.

Sketch of William E. Henley, 1896

James McNeill Whistler

A work made of transfer lithograph in various black inks, with stumping, on buff laid paper.

The Shoemaker, 1896

James McNeill Whistler

A work made of transfer lithograph in various black inks, on buff laid paper.

The Medici Collar, 1897

James McNeill Whistler

A work made of transfer lithograph in various black inks, on tan laid japanese vellum.

Afternoon Tea, 1897

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

Little London Model, 1896

James McNeill Whistler

A work made of transfer lithograph in black, with stumping, on cream laid paper.

St. Giles-in-the-Fields, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

The Butcher's Dog, 1896

James McNeill Whistler

A work made of counterproof of transfer lithograph with stumping, in black, on off-white wove paper.

Mother and Daughter [La Mère Malade], 1897

James McNeill Whistler

A work made of transfer lithograph in various black inks, with stumping, on grayish ivory china paper.

The Shoemaker, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory plate paper.

Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso), 1897

James McNeill Whistler

A work made of etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper.

Laburnums and Battersea, 1889/90 and 1898

Theodore Roussel

A work made of etching and drypoint in brown, with selective wiping of plate tone, on cream japanese paper.

Laburnums and Battersea, 1889/90 and 1898

Theodore Roussel

A work made of etching in black on cream japanese paper.

The Little Fish Shop, Chelsea Embankment, 1888–89

Theodore Roussel

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