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A work made of brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper.

Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893/94

Paul Gauguin

A work made of wood-block print in black ink, with touches of red and black watercolor, on cream wove paper.

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream japanese paper laid down on cream wove paper (an imitation japanese vellum).

Two Standing Tahitian Women, 1894

Paul Gauguin

A work made of watercolor monotype on ivory japanese paper, discolored to tan, laid down on tan wove paper.

Bust of a Tahitian Woman, 1894

Paul Gauguin

A work made of transfer drawing in black ink on ivory wove paper.

Seated Female (related to the painting Sister of Charity), c. 1902

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Two Women Chattering, headpiece for Le Sourire, 1900

Paul Gauguin

A work made of wood-block print in brown ink on cream wove japanese paper, laid down on cream wove japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper.

Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream japanese paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print printed twice in black ink on cream wove paper (an imitation japanese vellum) (recto); wood-block print in black ink over orange ink tone block, on cream wove paper (an imitation japanese vellum) (verso).

Man Carrying Bananas Followed by Two Horses, headpiece for Le sourire, 1900

Paul Gauguin

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, spring/summer 1894

Paul Gauguin

A work made of wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of rubbing in black and red ink, on ivory wove japanese paper.

Christ on the Cross, after 1895

Paul Gauguin

A work made of wood-block print in black ink on thin laid ivory japanese paper, laid down on thin wove white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and stenciled red oil medium, on cream japanese paper discolored to a grayish tone.

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory japanese paper.

Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print in black ink on mottled gray-blue wove paper, laid down on buff wove paper.

A Horse and Birds, headpiece for Le sourire, 1899

Paul Gauguin

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