Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of pen and black ink on ivory wove paper.

Study for Anemones and Woman (Study for “Odalisque, Harmony in Blue”), 1937

Henri Matisse

A work made of graphite, with touches of erasing, on ivory wove paper.

Seated Dancer, 1927

Henri Matisse

A work made of brush and black ink on off-white wove paper.

Dancer Resting, 1927

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Head of a Woman, 1941

Henri Matisse

A work made of graphite, with touches of erasing on cream wove paper.

Young Woman with a Veil, 1929

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Seated Woman with Full-Skirted Dress, c. 1926

Henri Matisse

A work made of stumped charcoal on ivory laid paper.

Portrait of John Dewey, 1930/34

Henri Matisse

A work made of black crayon on ivory wove paper.

Head of a Woman, 1942

Henri Matisse

A work made of colored pencils on ivory wove paper.

Blue Vase on a Venetian Armchair, 1943

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Young Woman before a Table, 1944

Henri Matisse

A work made of pen and black ink on cream wove paper.

Woman Seated at a Table with Fruit and Pitcher, July 1944

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Matisse's Dining Room-1941, 1941

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Girl at a Table, April 1944

Henri Matisse

A work made of charcoal, with wiping, on ivory laid paper.

Bust of a Woman, July 1944

Henri Matisse

A work made of pen and black ink on cream wove paper.

Untitled, May 1947

Henri Matisse

A work made of brush and black ink on ivory wove paper.

Head, July 1947

Henri Matisse

A work made of linen, plain weave; screen printed.

Océanie - La Mer (Oceania - The Sea), 1948

Henri Matisse

A work made of blue ballpoint pen, colored pencil, and pastel on cream wove paper.

Poverty Hollar Near Luck Missouri, 1966

Joseph Yoakum

A work made of pieced of nine strips of cotton; plain weave with bands of supplementary patterning wefts.

Blanket, Mid–20th century

Dogon

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted; lined with silk, 3:1 twill weave self-patterned by areas of plain interlacing.

Man's Rank Badge, 1880/1900, Qing dynasty (1644–1911)

Manchu

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