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A work made of etching and soft ground in black on cream laid paper.

Jupiter and Alcmene and Nymphs and Satyrs on a Frieze Medallion, Study for Decoration of a Frame, 1907–08

Theodore Roussel

A work made of etching in black on cream laid paper.

Jupiter and Alcmene Medallion, Sketch for Decoration of a Frame, 1907–08

Theodore Roussel

A work made of etching on zinc in black on cream japanese paper.

Boats Aground, 1888

James Ensor

A work made of etching on copper in black on cream wove (simili-japan) paper.

Capture of a Strange Town, 1888

James Ensor

A work made of etching and aquatint in sepia on ivory laid paper.

They Spruce Themselves Up, plate 51 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of charcoal with traces of blue pencil on cream wove paper.

Study for the Baths of Ostend (recto); Notes for Exhibition Installation (verso), c. 1898–99

James Ensor

A work made of etching with drypoint on copper in black with hand-coloring on cream wove paper.

The Entry of Christ into Brussels, 1898

James Ensor

A work made of etching with drypoint on copper in black with plate tone on cream wove paper.

Roman Victory, 1889

James Ensor

A work made of etching with drypoint on copper in black with hand-coloring on cream wove paper.

Napoleon's Farewell, 1897

James Ensor

A work made of etching on copper in black with plate tone on cream wove paper.

Battle of the Golden Spurs, 1895

James Ensor

A work made of etching on zinc in black on cream wove paper.

The Main Dock, Ostend, 1888

James Ensor

A work made of black conté crayon on ivory wove paper (discolored to cream).

Los Caprichos: Se Repulen, c. 1885

James Ensor

A work made of etching on copper in black on cream wove paper.

Village Fair at the Windmill, 1889

James Ensor

A work made of etching in black on cream wove (simili-japan) paper.

Queen Parysatis, 1899

James Ensor

A work made of etching and sulphur tint on copper in black on cream japanese paper.

The Skaters, 1889

James Ensor

A work made of engraving in black on cream laid paper.

The Temptation of Saint Anthony, c. 1469/73

Martin Schongauer

A work made of lithograph in black on ivory china paper, laid down on ivory wove paper (chine collé).

And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series), 1888

Odilon Redon

A work made of lithograph in black on ivory china paper, laid down on ivory wove paper (chine collé).

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10, 1888

Odilon Redon

A work made of bi-fold portfolio cover with lithograph in black on blue-green wove paper.

Cover-Frontispiece for the Temptation of St. Anthony, 1888

Odilon Redon

A work made of lithograph in black on off-white wove paper.

Temptation, plate 453, 1835

Honoré-Victorin Daumier

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