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A work made of graphite with touches of erasing on ivory wove paper.

End of the Line, 1980

John Grazier

A work made of etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of etching with foul biting in black on cream laid paper.

Drury Lane, 1880/81

James McNeill Whistler

A work made of transfer lithograph in black on ivory plate paper.

Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso), 1897

James McNeill Whistler

A work made of transfer lithograph in black, printed over counterproof of lithograph in black, on ivory laid paper.

Portrait Study: Mrs. Philip, No. 4 [Studies of the Philips], 1897

James McNeill Whistler

A work made of etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting and plate tone in dark brown on ivory laid paper.

Fish Shop, Chelsea, 1886

James McNeill Whistler

A work made of gelatin plate with incised lines and traces of red ink.

Trial Plate for Nine O'Clock A.M., 1919–20

Theodore Roussel

A work made of soft ground etching, inked à la poupée, in yellowish green and greenish blue on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of lithographic crayon on fine-grained transfer paper.

Standing Figure in a Chinese Gown, 1890–94

Theodore Roussel

A work made of softground etching in black ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of drypoint in black on cream wove paper.

Nine O'Clock A.M., 1919–20

Theodore Roussel

A work made of soft ground etching in black on cream japanese paper.

Buoyant Sea, 1919

Theodore Roussel

A work made of etching in black on ivory laid paper.

The Steam Launch, Chelsea Embankment, 1888–89

Theodore Roussel

A work made of cancelled copper plate.

Drury Lane, 1880/81

James McNeill Whistler

A work made of transfer lithograph from five stones, in black (keystone), bluish-green, olive green, yellowish green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory laid paper.

Draped Figure, Reclining, 1892

James McNeill Whistler

A work made of soft ground etching, inked à la poupée, in yellowish green and greenish blue on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of softground etching, inked à la poupée, on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color soft ground etching, inked à la poupée, with inkless intaglio on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color monotype on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

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