Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A young girl with medium skin wears a striking dress of black and white stripes with a short lace collar. Behind her is backdrop featuring symbols and native figures. Mangos sit beside her.

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893

Paul Gauguin

A work made of wood-block print in black ink, over brush and solvent thinned and selectively applied ocher, reddish-orange and touches of green wax-and-resin-based media, on cream wove paper.

Tahitian Idol—the Goddess Hina, 1894/95

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on white japanese paper.

Human Miseries, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Wayside Shrine in Brittany, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in black ink, on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of wood-block print in black ink on cream wove paper.

Bust of a Nude Woman and Three-Quarter Figure of a Man with a White Cap in Profile, Third Small Figure at Far Right, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory japanese paper, laid down on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso.

Breton Bather, 1886/87

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

A Horse and Birds, headpiece for Le sourire, 1899

Paul Gauguin

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on ivory wove paper, laid down on off-white wove plate paper with decorative plate marks.

Woman Picking Fruit and Oviri, 1895/96

Paul Gauguin

A work made of wood-block print in black ink, with yellow ocher ink offset, on thin ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso).

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan).

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan).

Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]), 1891/93

Paul Gauguin

A work made of lithograph in black on ivory wove paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale, 1893–94

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Bathers, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Women by a Gate, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in reddish-brown on chrome yellow wove paper.

Human Miseries, from the Volpini Suite, 1889

Paul Gauguin

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