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A work made of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook).

Sketch of Man with a Hat and Fragment of Woman’s Shoulder, 1891/93

Paul Gauguin

A work made of black fabricated chalk and pen and brown ink (originally purple), with traces of graphite on cream wove paper (removed from a sketchbook).

Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches, 1891/93

Paul Gauguin

A work made of brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper.

Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893/94

Paul Gauguin

A work made of pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook).

Sketch of Maori Woman and Child, 1891/93

Paul Gauguin

A work made of black fabricated chalk with pen and brown ink (originally purple) on cream wove paper (removed from a sketchbook).

Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?]), 1891/93

Paul Gauguin

A work made of pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed.

Seated Tahitian Woman (recto); Standing Tahitian Woman (verso), 1891/93

Paul Gauguin

A work made of brush and black ink on cream wove paper.

Breton Peasants, 1894

Paul Gauguin

A work made of watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory japanese paper.

Tahitian Landscape, 1894

Paul Gauguin

A work made of watercolor monotype from a paper matrix on cream laid paper.

Tahitian Girl in a Pink Pareu, 1894

Paul Gauguin

A work made of watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation japanese vellum).

Aha oe feii? (What! Are You Jealous?), 1894

Paul Gauguin

A work made of wood-block print in black ink, with touches of red and black watercolor, on cream wove paper.

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream japanese paper laid down on cream wove paper (an imitation japanese vellum).

Two Standing Tahitian Women, 1894

Paul Gauguin

A work made of watercolor monotype on ivory japanese paper, discolored to tan, laid down on tan wove paper.

Bust of a Tahitian Woman, 1894

Paul Gauguin

A work made of transfer drawing in black ink on ivory wove paper.

Seated Female (related to the painting Sister of Charity), c. 1902

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, spring/summer 1894

Paul Gauguin

A work made of wood-block print in black ink, over brush and solvent thinned and selectively applied yellow ocher, reddish-orange and touches of green and pink wax-and resin-based media, on cream wove paper.

Tahitian Idol—the Goddess Hina, 1894/95

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of wood-block print printed twice in black ink on cream wove paper (an imitation japanese vellum) (recto); wood-block print in black ink over orange ink tone block, on cream wove paper (an imitation japanese vellum) (verso).

Man Carrying Bananas Followed by Two Horses, headpiece for Le sourire, 1900

Paul Gauguin

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

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