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A work made of soft ground etching on blue-green laid paper.

Claude Renoir Turned Three-Quarters to the Left, c. 1908

Pierre-Auguste Renoir

A work made of lithograph on grayish ivory wove paper.

Portrait of Cezanne, c. 1902

Pierre-Auguste Renoir

A work made of black chalk, pastels, and white chalk with stumping on tan wove paper.

Woman at a Piano, 20th century

Imitator of Pierre-Auguste Renoir

A work made of etching on cream wove paper.

Standing Bather, c. 1910

Pierre-Auguste Renoir

A work made of lithograph in black on ivory wove paper.

Portrait of Richard Wagner, c. 1900

Pierre-Auguste Renoir

A work made of gouache and watercolor, with touches of scraping, on ivory wove paper.

The Auvers Valley on the Oise River, after 1884

Pierre-Auguste Renoir

A work made of graphite on white wove paper.

Vase of Flowers, May 1857

Pierre-Auguste Renoir

A work made of lithotint, in black ink, from a prepared half-tint ground, with scraping, on off-white plate paper.

Nocturne, 1878

James McNeill Whistler

A work made of lithograph in black ink with scraping and roulette work on ivory chine laid down on off-white plate paper.

Study, 1878

James McNeill Whistler

A work made of lithotint in black, with scraping and roulette, on ivory wove proofing paper.

Study: Maud Seated, 1878

James McNeill Whistler

A work made of lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper.

Limehouse, 1878

James McNeill Whistler

A work made of granite.

Buddhist Tower in Form of a Pagoda (Hokyointo), 13th century

A work made of lithograph in black ink with scraping on tan wove paper.

Study, 1878

James McNeill Whistler

A work made of lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper.

Early Morning, 1878

James McNeill Whistler

A work made of lithotint in black ink with scraping, on a prepared half-tint ground, on cream wove paper.

Early Morning, 1878

James McNeill Whistler

A work made of lithotint with scraping, on a prepared half-tint ground, in black ink on cream wove paper.

Early Morning, 1878

James McNeill Whistler

A work made of lithotint in black ink, with scraping, on ivory plate paper.

The Tall Bridge, 1878

James McNeill Whistler

A work made of transfer lithograph in black ink with scraping, on ivory laid paper.

Victoria Club, 1879/87

James McNeill Whistler

A work made of lithotint in brown ink, with scraping, on ivory plate paper.

The Broad Bridge, 1878

James McNeill Whistler

A work made of transfer lithograph in black ink with scraping, on ivory laid paper.

Gaiety Stage Door, 1879/87

James McNeill Whistler

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