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A work made of wood-block print in residual brown and black inks on ivory wove paper.

Te atua (The God), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, on cream wove japanese paper, laid down on cream laid japanese paper (a laminate made by the artist).

Te faruru (Here We Make Love), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of end-grain boxwood block, with a commercially prepared gray ground, selectively inked in black printing ink.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/1894

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Joies de Bretagne (Joys of Brittany), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les drames de la mer: Bretagne (Dramas of the Sea: Brittany), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Pastorales Martinique (Martinique Pastorals), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les drames de la mer (Dramas of the Sea), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

The Laundresses, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les cigales et les fourmis (The Grasshoppers and the Ants), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black, with pale orange, red and green watercolor and white crayon, on chrome yellow wove paper.

Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Old Women of Arles, from the Volpini Suite, 1889

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of zincograph in reddish-brown on chrome yellow wove paper.

Human Miseries, from the Volpini Suite, 1889

Paul Gauguin

A work made of charcoal on cream wove paper (discolored to tan).

Seated Tahitian Woman (related to the painting Te faaturuma [Reverie]), 1891/93

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on ivory wove paper, laid down on off-white wove plate paper with decorative plate marks.

Woman Picking Fruit and Oviri, 1895/96

Paul Gauguin

A work made of wood-block print in black ink, with yellow ocher ink offset, on thin ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso).

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan).

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan).

Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]), 1891/93

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Bathers, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Women by a Gate, from the Volpini Suite, 1889

Paul Gauguin

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