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A vertical painting of a bundle of many types of flowers set in a vase-like vessel. The bottom of this vessel contains netted rope through which many blossoms can be seen. A plethora of blooms and leaves extend upward from the top of the vessel.

Flowers of the Four Seasons, Qing dynasty (1644–1911), 18th/19th century

Artist Unknown

A work made of transfer lithograph in black on ivory laid paper.

Confidences in the Garden, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

The Forge, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.

La Belle Jardinière, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper.

The Smith, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper.

The Forge, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on ivory wove proofing paper laid down on a heavy backing sheet.

The Smith, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

The Duet, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on off-white chine, laid down on white plate paper.

The Priest's House, Rouen, 1894/95

James McNeill Whistler

A work made of transfer lithograph in black, with stumping, on cream wove japanese vellum.

The Smith, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on cream japanese paper.

The Priest's House, Rouen, 1894/95

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on cream wove japanese vellum laid down on a heavy backing sheet.

The Priest's House, Rouen, 1894/95

James McNeill Whistler

A work made of transfer lithograph in black on cream laid japanese vellum.

La Fruitière de la rue de Grenelle, 1894

James McNeill Whistler

A work made of transfer lithograph in black on grayish white chine, laid down on white plate paper.

La Belle Dame endormie, 1894

James McNeill Whistler

A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper.

The Priest's House, Rouen, 1894–95

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

La Robe Rouge, 1894

James McNeill Whistler

A work made of transfer lithograph in black ink on grayish ivory laid proofing paper.

Portrait of Dr. Whistler, No. 2, 1894

James McNeill Whistler

A work made of transfer lithograph in black on off-white wove paper.

The Doctor, 1894, published 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

Study, 1894

James McNeill Whistler

A work made of transfer lithograph in black on grayish white chine, laid down on white plate paper.

Figure Study, 1894

James McNeill Whistler

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