Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of wood-block print in black ink manipulated with brush and solvent, on ivory japanese paper, laid down on cream japanese paper.

Maori Woman in the Forest, 1894/95

Paul Gauguin

A work made of wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory japanese paper, laid down on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of pastel monotype, with touches of pastel, on cream wove japanese paper, laid down on cream wove japanese paper.

Reclining Tahitian (fragment), 1894

Paul Gauguin

A work made of wood-block print in black ink on cream wove japanese paper, laid down on cream wove japanese paper.

Oviri, 1894

Paul Gauguin

A work made of wood-block print, printed twice in deep yellow ocher and black ink (recto); wood-block print in black ink over stenciled yellow ink and a red ink tone block (verso); on cream wove paper (an imitation japanese vellum).

Oviri, 1894

Paul Gauguin

A work made of wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso).

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper.

Tahitian Idol—the Goddess Hina, 1894/95

Paul Gauguin

A work made of wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream japanese paper.

Mahana atua (Day of the God), 1894/95

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Nov. 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Nov. 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink with touches of pink watercolor, and wood-block print in ocher ink, on cream wove paper.

Le sourire: Journal sérieux, Aug. 21, 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block print in black ink, on cream wove paper.

Le sourire: Journal méchant, Feb. 1900, 1900

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Oct. 13, 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Sept. 19, 1899, 1899

Paul Gauguin

A work made of wood-block print in black ink on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95, printed 1928

Paul Gauguin

A work made of pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook).

Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso), 1891/93

Paul Gauguin

A work made of watercolor monotype from a paper matrix on cream laid paper.

Tahitian Girl in Pink Pareu, 1894

Paul Gauguin

A work made of watercolor, with black colored pencil, and touches of pen and black ink, over a transfer drawing in black, and wood-block print in black ink with blue watercolor on cream wove paper.

Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900

Paul Gauguin

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