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A work made of wood-block print, printed twice in deep yellow ocher and black ink (recto); wood-block print in black ink over stenciled yellow ink and a red ink tone block (verso); on cream wove paper (an imitation japanese vellum).

Oviri, 1894

Paul Gauguin

A work made of wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso).

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Nov. 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink with touches of pink watercolor, and wood-block print in ocher ink, on cream wove paper.

Le sourire: Journal sérieux, Aug. 21, 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block print in black ink, on cream wove paper.

Le sourire: Journal méchant, Feb. 1900, 1900

Paul Gauguin

A work made of wood-block print in black ink on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95, printed 1928

Paul Gauguin

A work made of pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook).

Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso), 1891/93

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Nov. 1899, 1899

Paul Gauguin

A work made of watercolor monotype from a paper matrix on cream laid paper.

Tahitian Girl in Pink Pareu, 1894

Paul Gauguin

A work made of watercolor, with black colored pencil, and touches of pen and black ink, over a transfer drawing in black, and wood-block print in black ink with blue watercolor on cream wove paper.

Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Oct. 13, 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Sept. 19, 1899, 1899

Paul Gauguin

A work made of graphite on cream wove paper, discolored to tan.

Fragment of Long Inscription, c. 1895

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on thin white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on cream wove paper.

Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of pen and brown ink and graphite on parchment.

Two Tahitian Women and a Marquesan Earplug, 1891/93

Paul Gauguin

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