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A work made of horn, beads, metal, and animal hide.

Snuff Container

Maasai

A work made of animal hide, glass beads, buttons, and metal wire.

Pair of Women's Ear Ornaments (Enchoni Enkiook), 20th century

Maasai

A work made of animal hide, glass beads, buttons, and metal wire.

Pair of Woman’s Ear Ornaments (Enchoni Enkiook), 20th century

Maasai

A work made of animal hide, glass beads, and metal.

Pair of Bracelets, 20th century

Maasai

A work made of ivory.

Snuff Container

Maasai

A work made of glass beads, cotton, rattan, leather, and warthog tusks.

Tusk Hat (Ogut Tigo), Early 20th century

Luo

A work made of silver.

Cross (Boghdad), Early to mid-20th century

A work made of silver, amber, glass beads, coral, cord, and wool.

Treasure Necklace, Early 20th century

Ida Ou Nadif

A work made of coral, amber, glass beads, brass beads, conus, and other shells.

Treasure Necklace (Tifilit), Early 20th century

Ida Ou Nadif

A work made of beads and wire.

Necklaces (Imankeek), 20th century

Maasai

A work made of copper, wood, and leather.

Short sword and sheath, Probably 19th century

Kru

A work made of lithograph on ivory wove paper.

Stecker's Ol' Man, from the Bad Drawing Series, 1963

William Aubrey Walmsley

A work made of color lithograph on ivory wove paper.

Ding Dong Daddy Walmsley in 9 X 12 Pox Pitstop, 1992

William Aubrey Walmsley

A work made of color lithograph on ivory japanese paper.

Ding Dong Daddy Love Squares with Warts, 1968–69

William Aubrey Walmsley

A work made of lithograph on tan japanese paper, laid down on white wove paper (chine collé).

Hommage to Allan Ginsburg, 1998

William T. Wiley

A work made of woodcut from four blocks on ivory laid paper.

The Large Village Fair, 1535

Hans Sebald Beham

A work made of color screenprint on cream wove paper.

Vendor, 1979

Robert Gwathmey

Screenprint of what appears to be a family walking in front of a group of construction workers building a wall. The figures all have dark-brown skin except for one construction worker with white skin. In the family group, a man and a woman hold hands with each other and two small children. The woman and the girl wear yellow dresses and red hats; the boy wears a blue shirt; the man wears a suit and a yellow hat. The workers in the background wear blue.

The Builders, 1974

Jacob Lawrence

In this screenprint, a large crowd of dark-brown-skinned figures dressed in bright yellow, red, blue, and green clothing are crossing a bridge. All of the people recoil in fear as a menacing wolf-like animal approaches them from the other side of the bridge.

Confrontation at the Bridge, 1975

Jacob Lawrence

A work made of watercolor, gouache, and brush and black ink, with scraping, on cream wove paper.

Study for A Reasonable Facsimile, 1942

Arthur Dove

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