Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cotton, silk, and gilt-metal-strip-wrapped cotton; in bands of plain weave, plain weave with supplementary patterning wefts and slit and dovetailed tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton and gilt-metal strip, plain weave with supplementary wefts; underlaid with tape of cotton, plain weave with extended paired weft and silvered-metal coil fringe.

Ceremonial Waist Sash (ikak pinggang), 19th century

Minangkabau

A work made of wood with metal vise.

Reel, 19th century

A work made of silk, gilt-metal strip, and gilt-metal-strip-wrapped silk, warp-float faced twill weave with supplementary facing wefts and brocading wefts bound in twill interlacings.

Three Panels, 19th century

A work made of cotton and foil encased in synthetic film-wrapped rayon, double-faced weft-float faced three-color complementary weft weave; woven on mechanical loom with jacquard attachment.

Cloth for a Mandarin, 1983

Terry A. Gentille

A work made of silk, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts.

Border, Early 19th century

A work made of cotton, plain weave; wool.

Chest Cover, 19th century

A work made of silk, plain weave; brocaded.

Handkerchief (One Half), c. 1850/60

A work made of wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels.

Blanket, c. 1865/75

Diné (Navajo)

A work made of silk, plain weave with supplementary binding warps tying supplementary patterning and supplementary backing wefts; woven on loom with jacquard attachment.

Picture, after 1827

A work made of cotton.

Sample (Furnishing Fabric), 1951

Scalamandré

A work made of silk and gilt-metal-strip-wrapped silk, satin weave with supplementary brocading wefts bound in twill interlacing and self-patterned by reversing of faces.

Panel, c. 1707

A work made of cotton, silk, and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, and bands of interlocking tapestry weave; ends of wool, plain weave; fulled; underlaid with cotton, plain weave; embroidered with cotton and gilt-metal-strip-wrapped cotton in laidwork and paper padded couching; embellished with gold-colored-metal spangles; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe.

Ceremonial Waist Sash (ikak pinggang), 19th century

Minangkabau

A work made of double comb; flexible; tan and brown weaving in center.

Comb

A work made of wooden weaving tool.

Shuttle, 18th/19th century

A work made of silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts.

Border, 19th century

A work made of silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts.

Border, Early 19th century

A work made of linen and cotton, satin weave with supplementary patterning wefts and self-patterned by reversing of faces and with bands of float weave; main warp cut fringe (satin damask).

Commemorative Towel, c. 1876

A work made of wood with metal vise.

Reel, 19th century

A work.

Bed Valance, Late 19th century

A work made of cotton, plain weave; engraved roller and block printed.

Mouchoirs D'Instruction Militarie No. 1 (Handkerchief), 1850/1900

Alexander Buquet

<<<605606607608 >>>