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A work.

Samples, 1901/50

Scalamandré

A work made of hemp, two-faced complementary warp weave of 3:3 twill weave and of warp-float faced 5:1 twill weave.

Swatches of Drapery, Wallpaper and Upholstery Materials, 1919/33

Bauhaus Workshop

A work made of silk, wild silk, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing.

Panel, c. 1928/29 (reproduction of an 18th century design)

F. Schumacher & Co.

A work made of silk, warp-float faced satin weave; with self-patterning ground wefts and stripes of plain weave with supplementary patterning warps.

Panel, 1775/1800

A work made of silk and gilt-metal strip, warp-float faced twill weave; with supplementary patterning warps forming cut and uncut pile (velvet) with voided areas; supplementary patterning wefts and binding warp.

Panel, 1601/1725

A work made of silk, warp-stripe plain weave with supplementary patterning warps tied by supplementary binding wefts.

Panel, c. 1755

A work made of silk, warp-float faced satin weave, pleated; with silk braid and glass beads.

Delphos (Dress), 1901/25

Mariano Fortuny y Madrazo

A work made of wool, stripes of plain weave and two-color complementary warp weave; edge overcast and interlaced in crossed warp weave; strap: plain weave; wrapped tassels.

Coca Bag (Chuspa), 1850/1900

Aymara

A work made of linen and wool, single dovetailed tapestry weave with wrapping outline wefts.

Chelly Canyon, 1974

Alice Kagawa Parrott

A work made of lithotint with scraping, on a prepared half-tint ground, in black on cream wove proofing paper.

Early Morning, 1878

James McNeill Whistler

A work made of silk, plain weave with weft-float faced 1:3 's' twill interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Panel, 1720s

A work made of silk, gilt-metal strip, and gilt-metal-strip-wrapped silk, plain weave with supplementary patterning and brocading wefts.

Panel (From a Chasuble), 1700/1800

A work made of silk, damask weave; five panels joined; lined with linen, plain weave (original lining).

Cope (without Orphrey or Hood), 1575/1600

A work made of wool and linen, plain weave with supplementary broading wefts and supplementary patterning wefts tied by secondary binding warps, knotted warp fringe along edge.

Hanging, after 1904

Maja Sjöström

A work made of silk, stripes of warp-float faced 7:1 satin weave; stripes of warp-float faced 7:1 satin weave self-patterned by ground weft floats; and stripes of plain weave self-patterned by ground weft floats.

Panel, Empire period, c. 1800

A work made of wool, double interlocking 2:2 's' twill tapestry weave; two panels joined.

Fragment (From a shawl), 1825/75

A work made of glass, mold-blown technique.

Perfume Bottle with Looped Stopper, 1st century BCE-4th century CE

Ancient Roman

A work made of silk and cotton, bands of plain weave; plain weave with supplementary patterning wefts bound in plain interlacing.

Two Panels from a Dress, 1860s

A work made of wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; edges overcast and interlaced in plain weave.

Overskirt (Urku), 1850/1900

Aymara

A work made of silk, warp-float faced 4:1 satin weave; stamped; apparels and orphrey bands: 4:1 satin damask weave; fringe: warp-faced plain weave with extended ground weft uncut fringe; closures of oblique interlacing; lined with linen, plain weave; glazed.

Dalmatic, c. 1600

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