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A work made of wool, plain weave.

Shawl, c. 1850

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of black chalk on buff wove paper.

Study for Mazas, 1894

Maximilien Luce

A work made of book containing text and ten lithographs on buff wove paper.

Mazas, 1894

Maximilien Luce

A work made of silk, rayon, and silver-leaf-over-paper strips, warp-float faced 2:1 'z' twill weave with plain, twill, and satin interlacings of supplementary patterning wefts, self-patterning ground wefts, and secondary binding warps.

Obi (Belt), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk, plain weave with supplementary patterning and brocading wefts.

Panel, c. 1745

Anna Maria Garthwaite

A work made of cotton and rayon, warp-float faced satin weave self-patterned by areas of plain, twill and satin interlacings; woven on loom with jacquard attachment.

Curtain Panel, c. 1930

A work made of cotton and rayon, plain weave with supplementary patterning wefts.

Towel, 1960/69

A work made of silk and silvered-metal-strip-wrapped silk, and silvered-metal strips, plain weave with supplementary brocading wefts and plain and twill interlacings of secondary binding warps and supplementary facing and patterning wefts.

Panel, c. 1820

A work made of silk and gilt-metal-strip-wrapped silk, satin weave with brocading wefts and self-patterned by areas of twill weave.

Panel, 1700/25

A work made of silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:3 twill interlacings.

Panel, 1575/1600

A work made of silk, silvered-metal-strip-wrapped silk, warp-stripe plain weave with supplementary patterning wefts and supplementary brocading wefts.

Panel, 1725/75

A work.

Shawl, 19th century

A work made of cotton, plain weave; machine-stitched pleating in alternate alignment.

Pacco (Furnishing Fabric), 1991

Création Baumann

A work made of polyester and cotton, plain weave, double cloth.

Condor (Furnishing Fabric), 1991

Arlette Ballinari

A work made of rayon, silk, and silvered-metal-strip-wrapped cotton, weft-faced six-color complementary weft plain weave with inner warps.

Panel, c. 1920

Raoul Dufy

A work made of silk, warp-float faced 7:1 satin weave self-patterned by ground weft floats and areas of plain weave.

Panel (Dress Fabric), c. 1900

House of Worth

A work made of cotton, double-faced two-color complementary weft twill weave; fulled.

Blanket, 1945/49

A work made of silk and rayon, warp-float faced satin weave self-patterned by areas of twill and plain weaves.

Panel, c. 1930

Cheney Brothers

A work made of silk, warp-float faced satin weave with supplementary patterning wefts bound in twill interlacings and plain interlacings of secondary binding warps and ground wefts.

Panel, 1733/35

Style of Jean Revel

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