Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk, gold and silver metal thread (wound around a silk fiber core), warp-faced plain weave; additional metal threads in float pattern tied at intervals. backed with glazed cotton; fringed at one end in silver.

Ribbon, 1810

A work made of silk, warp-float faced 7:1 satin weave with supplementary patterning and brocading wefts and self-patterning ground wefts tied by supplementary binding warps in plain interlacing.

Panel, c. 1722/26

A work.

Panel, Mid–18th century

A work made of cotton, plain weave; block printed.

Panel, c. 1815

Bannister Hall Print Works

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on buff laid paper, laid down on ivory laid paper.

Female Saint before a Ruler, after 1563

Circle of Federico Zuccaro

A work made of silk, satin weave of two-color complementary ground wefts with supplementary patterning wefts and some self-patterning ground wefts bound in twill interlacings and self-patterned by reversing of faces.

Panel, c. 1725

A work made of silk and gold and silver gilt strips wound around silk fiber cores, countered warp twining with extended weft loop fringe.

"Renaissance" Fringe, 16th century

A work made of silk, warp-striped, warp-faced plain weave with extended ground weft loop fringe; grouped and knotted; with attached loop and cut fringe tassels.

Fringe, 17th/18th century

A work made of silk, warp-float faced 4:1 satin weave with 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts.

Border, Empire period, 1804/14

A work made of silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts.

Border, Empire period, 1804/14

A work made of silk, gold metal strip, silver metal strip, gold metal strip wrapped around silk fiber core, silver metal strip wrapped around a silk fiber core, warp-float faced twill weave with supplementary patterning warps, supplementary patterning wefts, and supplementary brocading wefts.

Panel, 18th century

A work made of woll, stripes of plain weave and two color complementary warp weave; braides fringe.

Belt (Wak'a), 1900/50

Aymara

A work made of silk, plain weave with supplementary patterning warps, supplementary patterning wefts and self-patterning ground wefts.

Panel, 1775/1800

A work made of silk, weft-ribbed plain weave with supplementary brocading wefts bound in 3:1 twill interlacing.

Panel, c. 1734/36

Style of Jean Revel

A work made of cotton and silk, plain weave with supplementary patterning warps and wefts.

Panel, 1801/25

A work made of silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts.

Panel, Empire period, c. 1805/15

A work made of wool, cotton, rayon, fiberglass, silver colored metallic strip encased in gold colored polyolefin film, broken combined twill weave.

Panel (Drapery Fabric), 1949

Yvonne Palmer Pacanovsky Bobrowicz

A work made of wool, plain weave; joined in darning stitches; braided edge.

Woman's Mantle (Iskallu), 1860/80

Aymara

A work made of hemp, two-faced complementary warp weave of warp-float faced 5:1 twill weave and of 3:3 twill weave.

Swatches of Furnishing Fabric, 1927/33

Bauhaus Workshop

A work made of silk, plain weave self-patterned by areas of main warp and ground weft floats, satin and twill interlacings; "watered" (moiré).

Panel and Fragment, c. 1840

<<<607608609610 >>>