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A work made of gauguin monogram and artist's name in latin letters on heavy blue-green wove card.

Cover to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

A work made of letterpress in black on heavy blue-green wove paper.

Title Page to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1893/94, printed and published in 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893/94, printed 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Te po (The Night), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Noa Noa (Fragrant), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Mahana atua (Day of the God), 1894/95, printed and published 1921

Paul Gauguin

A work made of zincograph in black on ivory wove paper (imitation japanese vellum).

Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite, 1889, printed after 1911

Paul Gauguin

A work made of end-grain boxwood block, with a commercially prepared gray ground, selectively inked in black printing ink.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/1894

Paul Gauguin

A work made of wood-block print in black, with a transferred twill impression, on tan wove paper.

Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Auti te pape (Women at the River) from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of etching, drypoint and engraving in brown-black on cream japanese laid paper.

Portrait of Stéphane Mallarmé, 1891, printed 1919

Paul Gauguin

A work made of zincograph in black on ivory wove paper (an imitation japanese vellum).

Old Women of Arles, from the Volpini Suite, 1889, printed after 1911

Paul Gauguin

A work made of black fabricated chalk with pastel on ivory laid paper.

Seated Breton Woman, 1886

Paul Gauguin

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