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A work made of wood-block print in black ink on cream wove paper.

Tahitians, Flowers, and Leaves, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper.

Noa noa (Fragrant), 1894/95

Paul Gauguin

A work made of rubbing in black and red ink, on ivory wove japanese paper.

Christ on the Cross, after 1895

Paul Gauguin

A work made of wood-block print in black ink on thin laid ivory japanese paper, laid down on thin wove white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory japanese paper.

Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of zincograph in black ink on cream wove paper.

Two Maori Women Squatting Down, 1894/95, published Feb. 3, 1895

Paul Gauguin

A work made of end-grain boxwood block, with a commercially prepared gray ground, sealed with an opaque pink oil medium, and inked in black ink.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of book containing eight zincographs and letterpress text in black ink, with photomechanically printed gray stripes on cover, on tan wove paper.

Catalogue de l'Exposition de Peintures du Groupe Impressionniste et Synthétiste, 1889

Paul Gauguin

Noa Noa (Fragrant Scent)

Noa Noa (Fragrant Scent), n.d.

Paul Gauguin

A work made of book with facsimile woodcuts on cream wove paper.

Marehurehu: Between Day and Night (Marehurehu: Entre le Jour et la Nuit), 1925

Paul Gauguin

A work made of wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation japanese vellum).

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper.

Man with an Ax, 1893/94

Paul Gauguin

A work made of etching, with drypoint and engraving, in black, with pen and black and brown ink, and brush and black and gray wash, on cream wove paper.

Portrait of Stéphane Mallarmé, 1891

Paul Gauguin

A work made of watercolor, with traces of black crayon and graphite, on tapa, partially laid down on cream wove paper.

Chez les Maories: Sauvageries (At Home with the Maori: Savage Things), 1893

Paul Gauguin

A work made of collotype with letterpress, in black on cream wove papers, folded, with collotype in black with red on ivory laid paper and envelope, contained within cream wove paper wrapper with collotype in black.

Noa Noa, n.d.

Paul Gauguin

A work made of collotype and letterpress in black on various cream wove papers, contained within commercially printed cream textured paper wrapper.

Le Sourire, 1952

Paul Gauguin

A work made of black chalk (recto and verso) on ivory laid paper (discolored to tan).

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso), 1881

Pierre-Auguste Renoir

A work made of lithograph in gray on off-white wove paper.

Amélie Laurent Dieterlé, c. 1899

Pierre-Auguste Renoir

A work made of etching and drypoint in warm black on ivory wove paper.

Children on the Beach, Berneval, c. 1892

Pierre-Auguste Renoir

A work made of color woodblock print.

Before the Mirror, July 1916

Ito Shinsui

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