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A work made of wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory japanese paper, laid down on cream japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of woodcut in brown ink with letterpress above on discolored ivory laid paper hinged to tan laid paper.

Three Breton Women with Infants, 1894

Armand Séguin

A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.

Woman with a Cat, c. 1900

Paul Gauguin

A work made of black fabricated chalk with watercolor, on mottled blue wove paper with blue fibers, altered to light gray (recto); black fabricated chalk, with pen and brown ink, on mottled blue wove paper with blue fibers, altered to bluish-gray (verso) (removed from a sketchbook).

Sketches of Figures and Foliage (recto); Profile of Charles Laval with Palm Tree and Other Sketches (verso), 1887

Paul Gauguin

A work made of pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso), 1891/93

Paul Gauguin

Photograph of Painting: Female Bather Wading Through a Brook

Photograph of Painting: Female Bather Wading Through a Brook, after 1889

Paul Gauguin

A work made of salted paper print (extremely faded) toned with watercolor, on cream wove silver printing-out paper, laid down on cream card (recto); albumen print laid down on cream card (verso).

The Yellow Christ (recto), Female Bather Wading through a Brook, c. 1889

Paul Gauguin

A work made of black fabricated chalk, red chalk, brush and brown wash, with pen and brown ink, on cream wove paper, with later additions in graphite.

Jean René Gauguin, 1881

Paul Gauguin

A work made of watercolor on cream laid paper, laid down on cream japanese paper.

Still Life with Cat, c. 1899

Paul Gauguin

A work made of lithograph in black on ivory wove paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale, 1893–94

Paul Gauguin

A work made of watercolor and pastel monotype from a paper matrix, with pastel, on cream japanese paper, laid down on cream 4-ply mat board.

Study of Tahitian Heads, c. 1898

Paul Gauguin

A work made of graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Standing Figures and Animals, 1891/93

Paul Gauguin

A work made of graphite (recto); graphite, with pen and pale-yellow ink (originally purple) (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Various Animals and Head (recto), Sketches of a Head, Figure in Profile, Anatomical Details, and Animals (verso), 1891/93

Paul Gauguin

A work made of graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge, 1891

Paul Gauguin

A work made of graphite and blue gouache, with pen and pale yellow ink (originally purple) and watercolor (recto); graphite, over pen and pale yellow ink (originally purple) and watercolor (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Children, a Woman, and Profiles (recto), Sketches of Horses and Child (verso), 1891/93

Paul Gauguin

A work made of brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper.

Tahitians Fishing, 1891/93

Paul Gauguin

A work made of watercolor, with touches of gouache, over graphite, on tan wove paper.

Tahitian Hut, 1891/93

Paul Gauguin

A work made of watercolor and gouache, with touches of pen and black ink, over traces of graphite, on cream japanese paper (pieced), laid down on cream wove paper.

Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina, 1900/03

Paul Gauguin

A work made of gouache, over a white ground, on gray millboard.

Portrait of the Artist’s Mother (Eve), 1889/90

Paul Gauguin

A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

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