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A work made of wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid japanese paper, laid down on ivory wove japanese paper (a laminate made by the artist).

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in orange and brown inks, over residual black ink, with wiping and touches of hand-applied black ink, on thin, pale-pink wove paper (faded to tan).

Te atua (The God), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of color woodblock print; chuban.

Picking Persimmons, c. 1767/68

Suzuki Harunobu

A work made of wood-block print printed twice in ocher and black ink, with red-brown watercolor on brown laid japanese paper.

Two Maoris, 1896/97

Paul Gauguin

A work made of graphite on ivory laid paper, squared in graphite for transfer.

Design for a Jardiniere: The Toilette, 1886/87

Paul Gauguin

A work made of black fabricated chalk on ivory laid paper.

Bust of a Young Breton Woman (Possibly Marie Lagadu), 1886/88

Paul Gauguin

A work made of wood-block print in dark-orange (burnt sienna) ink on cream wove paper.

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixedr.

Portrait of Tehamana, 1891/93

Paul Gauguin

A work made of black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook).

Sketches of Figures, Pandanus Leaf, and Vanilla Plant, 1891/93

Paul Gauguin

A work made of wood-block print in black ink on cream wove paper.

Horse, with Other Animals and Ornaments, 1899/1900

Paul Gauguin

A work made of charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixed.

Heads of Tahitian Women, Frontal and Profile Views, 1891/93

Paul Gauguin

A work made of wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue.

Maoris and Animals, 1896/97

Paul Gauguin

A work made of graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook).

Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook), 1891/93

Paul Gauguin

A work made of black fabricated chalk, with black fabricated chalk offset, on cream wove paper (removed from a sketchbook).

Sketches of Tahitian Residence with Color Notations and Dogs, 1891/93

Paul Gauguin

A work made of wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory japanese paper, laid down on cream japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of salted paper print (extremely faded) toned with watercolor, on cream wove silver printing-out paper, laid down on cream card (recto); albumen print laid down on cream card (verso).

The Yellow Christ (recto), Female Bather Wading through a Brook, c. 1889

Paul Gauguin

A work made of lithograph in black on ivory wove paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale, 1893–94

Paul Gauguin

A work made of watercolor and pastel monotype from a paper matrix, with pastel, on cream japanese paper, laid down on cream 4-ply mat board.

Study of Tahitian Heads, c. 1898

Paul Gauguin

A work made of woodcut in brown ink with letterpress above on discolored ivory laid paper hinged to tan laid paper.

Three Breton Women with Infants, 1894

Armand Séguin

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