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A work made of etching on cream wove paper.

Woman Reclining, to the Left, c. 1906

Pierre-Auguste Renoir

A work made of lithograph in black on ivory wove paper.

Portrait of Richard Wagner, c. 1900

Pierre-Auguste Renoir

A work made of lithograph in black on cream laid paper.

Child with a Biscuit (Jean Renoir), 1898/99

Pierre-Auguste Renoir

A work made of pen and brown ink, over black chalk, on ivory laid paper.

Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir"), 1877/78

Pierre-Auguste Renoir

A work made of opaque and transparent watercolor on cream wove paper.

Grove of Trees, 1888/90

Pierre-Auguste Renoir

A work made of soft ground etching on blue-green laid paper.

Claude Renoir Turned Three-Quarters to the Left, c. 1908

Pierre-Auguste Renoir

A work made of black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream).

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881

Pierre-Auguste Renoir

A work made of black chalk, pastels, and white chalk with stumping on tan wove paper.

Woman at a Piano, 20th century

Imitator of Pierre-Auguste Renoir

A work made of etching on cream wove paper.

Standing Bather, c. 1910

Pierre-Auguste Renoir

A work made of graphite on white wove paper.

Vase of Flowers, May 1857

Pierre-Auguste Renoir

A work made of graphite on tan wove paper, laid down on ivory japanese paper.

Bathers in a Forest, 1895/97

Pierre-Auguste Renoir

A work made of gouache and watercolor, with touches of scraping, on ivory wove paper.

The Auvers Valley on the Oise River, after 1884

Pierre-Auguste Renoir

A work made of lithotint, in black ink, from a prepared half-tint ground, with scraping, on off-white plate paper.

Nocturne, 1878

James McNeill Whistler

A work made of lithograph in black ink with scraping and roulette work on ivory chine laid down on off-white plate paper.

Study, 1878

James McNeill Whistler

A work made of lithotint in black, with scraping and roulette, on ivory wove proofing paper.

Study: Maud Seated, 1878

James McNeill Whistler

A work made of lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper.

Early Morning, 1878

James McNeill Whistler

A work made of lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper.

Limehouse, 1878

James McNeill Whistler

A work made of granite.

Buddhist Tower in Form of a Pagoda (Hokyointo), 13th century

A work made of lithograph in black ink with scraping on tan wove paper.

Study, 1878

James McNeill Whistler

A work made of lithotint in black ink with scraping, on a prepared half-tint ground, on cream wove paper.

Early Morning, 1878

James McNeill Whistler

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