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A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Nov. 1899, 1899

Paul Gauguin

A work made of graphite on cream wove paper, discolored to tan.

Fragment of Long Inscription, c. 1895

Paul Gauguin

A work made of pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook).

Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso), 1891/93

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on thin white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of watercolor monotype from a paper matrix on cream laid paper.

Tahitian Girl in Pink Pareu, 1894

Paul Gauguin

A work made of watercolor, with black colored pencil, and touches of pen and black ink, over a transfer drawing in black, and wood-block print in black ink with blue watercolor on cream wove paper.

Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Oct. 13, 1899, 1899

Paul Gauguin

A work made of mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper.

Le sourire: Journal sérieux, Sept. 19, 1899, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on medium-weight, fibrous, off-white japanese paper.

The Ox Cart, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin, ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in yellow ocher ink on ivory wove paper (verso).

The Rape of Europa, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on moderately thick cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory wove paper (discolored to cream).

Eve, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on cream wove paper.

Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of pen and brown ink and graphite on parchment.

Two Tahitian Women and a Marquesan Earplug, 1891/93

Paul Gauguin

A work made of wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]).

Te faruru (Here We Make Love), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink manipulated with brush and solvent, on ivory japanese paper, laid down on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Tahitians, Flowers, and Leaves, headpiece for Le sourire, 1899/1900

Paul Gauguin

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