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A work made of zincograph in black on chrome yellow wove paper.

Breton Bathers, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Women by a Gate, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in reddish-brown on chrome yellow wove paper.

Human Miseries, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Joies de Bretagne (Joys of Brittany), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les drames de la mer: Bretagne (Dramas of the Sea: Brittany), from the Volpini Suite, 1889

Paul Gauguin

A work made of wood-block print, printed twice in black ink, on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of wood-block print in black ink on cream wove paper.

Bust of a Nude Woman and Three-Quarter Figure of a Man with a White Cap in Profile, Third Small Figure at Far Right, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory japanese paper, laid down on cream japanese paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Paul Gauguin

A work made of charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso.

Breton Bather, 1886/87

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

A Horse and Birds, headpiece for Le sourire, 1899

Paul Gauguin

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on ivory wove paper, laid down on off-white wove plate paper with decorative plate marks.

Woman Picking Fruit and Oviri, 1895/96

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Wayside Shrine in Brittany, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of blue, silver-gray, and black watercolor, on cream laid japanese paper laid down on cream wove japanese paper (a laminate made by the artist).

Te po (The Night) from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black on thin, ivory japanese paper.

Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print, printed twice in brown and black ink, on cream wove japanese paper laid down on cream wove japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper perimeter mounted on white japanese paper.

Buddha, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

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