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A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in residual brown and black inks on ivory wove paper.

Te atua (The God), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook).

Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso), 1891/93

Paul Gauguin

A work made of zincograph in black, with pale orange, red and green watercolor and white crayon, on chrome yellow wove paper.

Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Old Women of Arles, from the Volpini Suite, 1889

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print, printed in black ink on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, printed 1941/42

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les drames de la mer: Bretagne (Dramas of the Sea: Brittany), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Pastorales Martinique (Martinique Pastorals), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les drames de la mer (Dramas of the Sea), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

The Laundresses, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Les cigales et les fourmis (The Grasshoppers and the Ants), from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Bathers, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Breton Women by a Gate, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in reddish-brown on chrome yellow wove paper.

Human Miseries, from the Volpini Suite, 1889

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Joies de Bretagne (Joys of Brittany), from the Volpini Suite, 1889

Paul Gauguin

A work made of charcoal on cream wove paper (discolored to tan).

Seated Tahitian Woman (related to the painting Te faaturuma [Reverie]), 1891/93

Paul Gauguin

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on ivory wove paper, laid down on off-white wove plate paper with decorative plate marks.

Woman Picking Fruit and Oviri, 1895/96

Paul Gauguin

A work made of wood-block print in black ink, with yellow ocher ink offset, on thin ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso).

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

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