Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal on cream laid paper.

At the Piano, 1873/75

James McNeill Whistler

A work made of lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on cream wove paper.

Reclining Draped Figure, 1893

James McNeill Whistler

A work made of oil on panel.

Coast Scene, Bathers, 1884–85

James McNeill Whistler

A work made of oil on canvas.

Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", 1872–73

James McNeill Whistler

A work made of watercolor and opaque watercolor over charcoal on brown wove paper.

The Little Blue Cap, 1893/95

James McNeill Whistler

A work made of graphite on ivory wove paper.

Study for Portrait of Thomas Way, 1896

James McNeill Whistler

A work made of graphite (recto) on cream wove paper with printed text in black ink (verso).

Sketch of the Peacock Room, 1898

James McNeill Whistler

A work made of lithographic crayon on thin, transparent transfer paper, tipped onto card (modern mount).

H.C. Pollitt, 1896

James McNeill Whistler

A work made of pen and black ink on cream wove card.

Butterfly with Checkered Wings, 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite, with corrections by the artist in white opaque paint, on cream wove card.

A Club on a Cushion, 1898/99

James McNeill Whistler

A work made of oil on panel.

Study of a Girl's Head and Shoulders, 1896–97

James McNeill Whistler

A work made of watercolor with touches of opaque watercolor on cream wove paper.

Chelsea Shop, 1897/1900

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and graphite (verso), on cream wove card.

Butterfly "Encountered" (recto); Sketch for Tailpiece (verso), 1898/99

James McNeill Whistler

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and pen and black ink, with corrections by the artist in white opaque paint (verso), on cream wove card.

Butterfly (recto); Study of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and pen and black ink over graphite, with corrections by the artist in white opaque paint (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper.

Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso), c. 1872

James McNeill Whistler

A work made of charcoal with white and orange chalks on brown wove paper.

A Nude Figure, c. 1878

James McNeill Whistler

A work made of brush and brown wash, with pen and brown ink, on off-white laid paper.

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder", c. 1879

James McNeill Whistler

<<<58596061 >>>