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A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.

The Old Shepherd, 1722

Conte Antonio Maria Zanetti, the Elder

A work made of gelatin silver print, from the album "champs délicieux (delicious fields)".

Untitled, 1922

Man Ray (Emmanuel Radnitzky)

A work made of gelatin silver photogram.

Untitled, 1923

Man Ray (Emmanuel Radnitzky)

A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.

Title Page, from Twelve Months of Flowers, n.d.

Henry Fletcher

A work made of paint, plaster, costume-jewelry ring, and tobacco tin.

Puériculture, mid–1940s (conceived c. 1921)

Man Ray (Emmanuel Radnitzky)

A work made of color woodblock print; surimono.

A Pine Tree and Camellias, 1840

Niwa Tokei

A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.

January, from Twelve Months of Flowers, n.d.

Henry Fletcher

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.

At the Moulin Rouge, 1892–95

Henri de Toulouse-Lautrec

A work made of glass, blown technique.

Bowl or Cup, Late 1st-early 2nd century CE

Ancient Roman

A work made of glass, cast.

Bowl or Cup, Mid–1st century

Ancient Roman

A work made of etching on heavy ivory laid paper.

View of the Villa d'Este, Tivoli, from Views of Rome, 1773, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Small Waterfall and Rapids, Tivoli, from Views of Rome, 1769

Giovanni Battista Piranesi

A work made of etching and engraving on ivory laid paper.

Saint Jerome in the Desert, c. 1553

Hieronymus Cock

A work made of glass, blown technique.

Jug, Late 1st-early 3rd century

Ancient Roman

A work made of gypsum relief with traces of pigment.

Relief Showing the Head of a Winged Genius, Neo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)

Neo-Assyrian

A work made of oil on canvas, three joined panels.

Heart of Darkness, 1982

Sean Scully

A work made of opaque watercolor and gold on paper.

Garden Scene, Timurid dynasty (ca. 1370–1507), mid–15th century

Islamic

A work made of sheep's wool and alpaca, plain and twill weave; pieced; folded; molded and tucked; embroidered with sheep's wool, alpaca, mohair, and nylon in buttonhole, satin, and stem stitches; couching; backed with wool, polyester, and cotton, plain weave.

Ascent, 1980

Nancy Hemenway Barton

A work made of tempera and silver leaf on canvas.

Portrait of Emily Crane Chadbourne, 1922

Tsugouharu Foujita

A work made of opaque watercolor and gold on paper.

Ruler Entertained by Dancers in a Paradise Garden, Late 18th century

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