Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil and silver paper on canvas.

Broken and Restored Multiplication, 1918–19

Suzanne Duchamp

A work made of fritware with polychrom overglaze decoration.

Four Tiles with a Figural Scene, Safavid dynasty (1501–1722), 17th century

Islamic

Painting of three black youths gardening, residential towers loom in the background.

Many Mansions, 1994

Kerry James Marshall

A work made of oil on canvas.

Spanish Physician, 1940

Max Ernst

A work made of six-panel screen; ink, colors, and gold on paper.

Baskets with Flowers of the Four Seasons, 19th century

A work made of terracotta and slip.

Teardrop I, 1996

Magdalene Odundo

A work made of graphite, with erasing and smudging (recto), and graphite (verso), on white wove paper.

Untitled, Drawing for Sanctuary (recto and verso), c. 1982 (recto); n.d. (verso)

Martin Puryear

A work made of vandyke print.

Jonathan's Hands, 1998

Rashid Johnson

A work made of steel.

Afrophoenix No. 1, 1963

Melvin Edwards

A work made of aluminum, lacquer.

Aluminum Chair, 1980/81

Scott Burton

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

A work made of vandyke print.

Michael, 1998

Rashid Johnson

White marble statue of machinist with hammer, anvil, and cogs.

Machinist, c. 1859

Emma Stebbins

A work made of ceramic and pigment.

Charcoal-Burnished Vessel, 1983

Magdalene Odundo

White marble statue of machinist assistant with sketchbook and cogs.

Machinist's Apprentice, c. 1859

Emma Stebbins

A work made of gelatin silver print.

Joseph Cornell, 1932/34

Lee Miller

A work made of two-panel screen; ink, colors and gold on paper.

Flower Arrangements, active 17th century

A work made of graphite on tan wove paper, laid down on ivory japanese paper.

Bathers in a Forest, 1895/97

Pierre-Auguste Renoir

Soft pale tones depict a close up of African mandz head.

Albino, 1986

Marlene Dumas

A work made of hard and soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Jug, 2001

Martin Puryear

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