Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, watercolor, and brush and gray wash, heightened with touches of white gouache, over graphite, on ivory laid paper, laid down on cream laid card.

Roma Antica, 1757/60

Giovanni Paolo Panini

A work made of black chalk with touches of opaque white watercolor on blue laid paper.

'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese, c. 1754

Richard Wilson

Painting of a small pond dense with pink water lilies, their roots visible through the water, a railed footbridge arching over the pond and lush, dark green folliage surrounding it.

Water Lily Pond, 1900

Claude Monet

A work made of oil on board.

Percolator, 1917

Man Ray (Emmanuel Radnitzky)

Sculpture of wooden panels shaped like an abstract chair with a deep narrow base.

Lever #1, 1988/89

Martin Puryear

A work made of gelatin silver print.

Hand, 1931

Lee Miller

A work made of gelatin silver print.

Nude Bent Forward, Paris, c. 1930

Lee Miller

A work made of gelatin silver print.

Ironwork, 1931

Lee Miller

A work made of gelatin silver print.

Woman with Hand on Head, Paris, 1931

Lee Miller

A work made of gelatin silver print.

Sculpture in Window, Paris, 1930

Lee Miller

A work made of oil on canvas.

Christa and Wolfi, 1964

Gerhard Richter

A work made of gelatin silver print.

Untitled, c. 1930

Lee Miller

A work made of black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream).

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881

Pierre-Auguste Renoir

A work made of forged steel.

Around the Void II (Alrededor del vacio II), 1965

Eduardo Chillida

A work made of opaque and transparent watercolor on cream wove paper.

Grove of Trees, 1888/90

Pierre-Auguste Renoir

A tall, wooden sculpture that leans against the gallery wall. A hollow box at the top is supported by two wooden branches that connect to a wheel at the bottom. The rough tree branches contrast with the refined wood of the box.

Sanctuary, 1982

Martin Puryear

A work made of acrylic on canvas.

Screamin' Jay Hawkins, 1968

Karl Wirsum

A work made of etching and engraving on ivory laid paper.

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656

Stefano della Bella

A work made of woodblock print.

Eggplant with fruit and flowers, 1829

Ônishi Chinnen

A work made of black chalk (recto and verso) on ivory laid paper (discolored to tan).

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso), 1881

Pierre-Auguste Renoir

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