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A work made of hard-paste porcelain, polychrome enamels, and gilding.

Guitarist for the Monkey Band, c. 1765

Meissen Porcelain Manufactory

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Trumpeter for the Monkey Band, c. 1765

Meissen Porcelain Manufactory

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Singer for the Monkey Band, c. 1765

Meissen Porcelain Manufactory

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Violinist for the Monkey Band, c. 1765

Meissen Porcelain Manufactory

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Singer for the Monkey Band, c. 1765

Meissen Porcelain Manufactory

A work made of oak, ash, maple, and paint.

Side Chair, 1808–12

Samuel Gragg

A work made of tambourine with oil on vellum painting.

At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888

Henri de Toulouse-Lautrec

A work made of oil on canvas.

Saint Jerome in the Wilderness, 1585–90

Workshop of Paolo Veronese

Painting of Greek landscape, classical architecture, yellow, red robed man reading.

Landscape with Saint John on Patmos, 1640

Nicolas Poussin

A work made of oil on canvas.

Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915

Kasimir Malevich

Large, dark painting of Jesus sitting with three standing soldiers.

Jesus Mocked by the Soldiers, 1865

Édouard Manet

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.

Equestrienne (At the Cirque Fernando), 1887/88

Henri de Toulouse-Lautrec

A work made of oil on canvas.

Explosion at Sea, 1966

Vija Celmins

A work made of watercolor with wiping and charcoal on thick (estimated), slightly textured, ivory wove paper, hinged to paperboard, faced with ivory wove (estimated) paper, gilt with gold leaf (top and right edges trimmed), in original frame.

The Green Sea – Movement – Stonington, Maine, 1921

John Marin

A work made of watercolor with charcoal and charcoal wash, on moderately thick, moderately textured, off-white wove paper (lower and right edges trimmed), in original frame.

Tree and Sea, Maine, 1919

John Marin

A work made of oil on canvas.

Landscape at Cagnes, c. 1923

Chaim Soutine

A work made of oil on canvas.

Brooklyn Bridge, 1899

Henry Ward Ranger

Painting of town and bay filled with ships composed of geometric shapes.

Landscape, 1912

Amadeo de Souza Cardoso

Rectangular carving, exceedingly detailed, of two colorful phoenixes with trailing tailfeathers and spread wings amid blossoms and wooden branches.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

Carved wood flowers and leaves, painted in vibrant greens and blues, overlap curving tree branches. Among them are are two birds, phoenixes.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

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