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A work made of color potato print on ivory wove paper.

Potato Print (Bugs), plate 87 from 101 Prints, 1967

Norman Roland Eppink

A work made of color crayon rubbing (frottage) on ivory wove paper.

Rubbing (Griswold), plate 93 from 101 Prints, 1967

Norman Roland Eppink

A work made of relief print in black on ivory wove paper.

Texture Print (Split Pea), plate 92 from 101 Prints, 1967

Norman Roland Eppink

A work made of collagraph (paper relief print) in black on ivory japanese paper.

Paper Print (Umbrellas), plate 91 from 101 Prints, 1967

Norman Roland Eppink

A work made of transfer drawing in black on tan japanese paper.

Transfer Monotype (Tools and Machines), plate 96 from 101 Prints, 1967

Norman Roland Eppink

A work made of color screenprint on ivory wove paper.

Screen Print (Industrial), plate 95 from 101 Prints, 1967

Norman Roland Eppink

A work made of color pochoir (stencil) on ivory wove paper.

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Norman Roland Eppink

A work made of color collagraph on ivory wove paper.

Glue Print (Still Waiting), plate 99 from 101 Prints, 1967

Norman Roland Eppink

A work made of relief print in black on ivory wove paper.

Foil Print (Twigs and Pebbles), plate 98 from 101 Prints, 1967

Norman Roland Eppink

A work made of paper marbling with colored inks on ivory wove paper.

Floatagraph (Dancers), plate 97 from 101 Prints, 1967

Norman Roland Eppink

Box, from 101 Prints

Box, from 101 Prints, 1967

Norman Roland Eppink

101 Prints: Each an Original Example of a Printmaking Process

101 Prints: Each an Original Example of a Printmaking Process, 1967

Norman Roland Eppink

A work made of paraffin engraving in black on white wove paper.

Paraffin Print (Chatter), plate 101 from 101 Prints, 1967

Norman Roland Eppink

A work made of collagraph in black on white wove paper.

Plaster Relief Print (Nets), plate 100 from 101 Prints, 1967

Norman Roland Eppink

A work made of three-dimensional assemblage of figures drawn in pen and black ink, watercolor and gouache, cut from ivory wove paper and glued to wooden armatures, against a background of etched and cut ivory wove paper elements with watercolor and touches of gouache, arranged in a gold frame backed with marbled paper.

Untitled, n.d.

Narcissa Niblack Thorne

A work made of oil on canvas.

Combat, 1964

Leon Golub

A work made of three-dimensional collage of etched and cut ivory wove paper elements, with watercolor and touches of gouache, assembled in a gold frame with a mirrored mat.

Untitled, n.d.

Narcissa Niblack Thorne

A work made of three-dimensional collage of cut and pasted etchings in black ink on ivory wove paper, assembled in box lid with box constructed of wood, painted black with marbled and gilded paper decorative elements, glass and metal hardware..

Untitled, n.d.

Narcissa Niblack Thorne

A work made of wooden box with hinged lid, covered in black book cloth, decorated with strips of commercially embossed brass, bronze and silver paper and paper decorated with brush gray gouache, lined with commercially printed marbled paper. the lid has a glass cover beneath which the artist assembled a three-dimensional collage of etched and cut ivory wove paper elements, with touches of brush and gray wash.

Untitled, n.d.

Narcissa Niblack Thorne

A work made of wooden box with lid, covered in various commercially prepared decorative papers, lined with commercially printed gold paper. the lid has a glass cover beneath which the artist assembled a three-dimensional collage of etched and cut ivory wove paper elements, with touches of watercolor and gouache.

Untitled, n.d.

Narcissa Niblack Thorne

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