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  • Art Institute Chicago
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A work made of reed pen and black ink on cream wove paper, laid down on cream wove paper, laid down on ivory wove card.

Grounded Fishing Boat, 1905

Henri Matisse

A work made of bronze.

The Serf, 1900–03, cast c. 1908

Henri Matisse

A work made of graphite, with traces of erasing on tan wove paper, laid down on cream wove paper, laid down on ivory wove paper.

Nude in Profile, 1903-04

Henri Matisse

A work made of pen and black ink on grayish-cream wove paper, laid down on cream wove paper, laid down on buff wove paper.

Boats, 1905

Henri Matisse

A work made of colored pencils and scraping, with graphite, charcoal, conté crayon, and additions in colored chalk and watercolor, selectively fixed, with cut and pasted elements, on 51 sheets of ivory wove paper (discolored to cream), joined, and formerly laid down on canvas.

The Temptation of Saint Anthony, 1887

James Ensor

A work made of reed and metal-nibbed dip pens and black ink, over black crayon, on tan wove paper, laid down on off-white wove card, perimeter mounted to off-white wove card.

Self-Portrait, c. 1901

Henri Matisse

A work made of etching from a copper plate, on buff laid paper.

The Entry of Christ into Brussels, 1898

James Ensor

A work made of etching on zinc in black on ivory japanese paper.

The Cathedral, 1886

James Ensor

A print in black of a figure rendered in hatched strokes, its neck impossibly long and twisted, with an enormous head, wide eyes, and furry batlike ears.

The Chimera Gazed at all Things with Fear, from Night, 1886

Odilon Redon

A work made of charcoal, with touches of stumping, on grayish-cream wove paper, fixed, laid down on cream wove paper, laid down on buff wove paper.

Standing Female Nude Seen from the Back, 1900/01

Henri Matisse

A work made of etching with drypoint on zinc in black on cream wove (simili-japan) paper.

Extraordinary Musicians, 1888

James Ensor

A work made of etching on zinc in black on cream japanese paper.

The Infernal Cortege, 1886

James Ensor

A work made of etching in black on cream wove (simili-japan) paper.

Queen Parysatis, 1899

James Ensor

A work made of pen and black ink and brush and gray wash, white and blue gouache, on blue laid paper (discolored to light brown), mounted to laid card.

Diana of Ephesus as Allegory of Nature, c. 1680

Joseph Werner

A work made of mezzotint with etching in black on ivory wove paper.

Belshazzar's Feast, from Illustrations of the Bible, 1835

John Martin

A work made of etching in black on ivory laid paper.

The Temptation of Saint Anthony, 1635

Jacques Callot

A work made of soft ground etching, inked à la poupée, in yellowish green and greenish blue on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of monotype in two tones of blue gray ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of monotype in two tones of greenish blue ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color screenprint on paper.

Yours Till the Boys Come Home, plate 43 from Bunk!, 1972

Eduardo Paolozzi

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