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A work made of lithographic crayon on thin, transparent transfer paper, tipped onto card (modern mount).

H.C. Pollitt, 1896

James McNeill Whistler

A work made of lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on cream wove paper.

Reclining Draped Figure, 1893

James McNeill Whistler

A work made of oil on panel.

Study of a Girl's Head and Shoulders, 1896–97

James McNeill Whistler

Very dark painting of a light-skinned, mostly clean-shaven young man in dark suit and dark full-length coat, holding a rolled-up paper and gloves.

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894

James McNeill Whistler

A work made of pastel and black chalk on brown wove paper with fibrous inclusions.

Corte del Paradiso, 1880

James McNeill Whistler

A work made of pen and brown ink on cream laid paper.

Portrait of Miss Maud Franklin, 1883/1888

James McNeill Whistler

Pale watercolor drawing of young dancer in long sheer dress.

Green and Blue: The Dancer, c. 1893

James McNeill Whistler

A work made of pen and brown ink with traces of graphite on pink wove paper.

Girl Reading in Bed, c. 1882

James McNeill Whistler

A work made of pen and brown ink with scraping on cream laid paper laid down on ivory board.

Head of a Girl, c. 1882

James McNeill Whistler

A work made of pen and brown ink on cream wove paper laid down on ivory board.

Sketch after "Arrangement in Black: Lady Meux", c. 1881

James McNeill Whistler

A pencil drawing of a butterfly on the lower left of a sheet of paper. The artist’s insignia stamp is in the lower right in blue ink.

Butterfly, c. 1890

James McNeill Whistler

A work made of oil on panel.

Coast Scene, Bathers, 1884–85

James McNeill Whistler

A work made of lithographic crayon and brush and tusche on coarse-grained transfer paper.

Two Sketches, 1878/79

James McNeill Whistler

A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.

Study for "The Blue Girl: Portrait of Miss Elinor Leyland", c. 1879

James McNeill Whistler

A sparsely painted waterside scene in dark tones with minimal ghostly shapes suggesting ships, yellow glitches of paint for light reflections, and the orb of an orange moon overhead.

Nocturne: Blue and Gold—Southampton Water, 1872

James McNeill Whistler

A work made of charcoal on cream laid paper.

At the Piano, 1873/75

James McNeill Whistler

A work made of charcoal with white and orange chalks on brown wove paper.

A Nude Figure, c. 1878

James McNeill Whistler

A work made of brush and brown wash, with pen and brown ink, on off-white laid paper.

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder", c. 1879

James McNeill Whistler

A work made of oil on canvas.

Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", 1872–73

James McNeill Whistler

A work made of pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper.

Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso), c. 1872

James McNeill Whistler

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