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A work made of oil on panel.

Portrait of Dr. William McNeill Whistler, 1871–73

James McNeill Whistler

A work made of oil on canvas.

Trouville (Grey and Green, the Silver Sea), 1865

James McNeill Whistler

A work made of oil on paper mounted on panel.

The Artist in His Studio, 1865–66

James McNeill Whistler

A work made of black chalk with touches of white chalk, on brown wove paper laid down on ivory board.

Draped Model, 1866/69

James McNeill Whistler

A work made of pen and brown ink on blue laid paper (discolored).

Figures by a Railing, 1870/73

James McNeill Whistler

A work made of monotype in two tones of greenish-blue ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of graphite on ivory wove paper, laid down on black card.

TV Dream/Dream TV, 1963

Nam June Paik

A work made of collotype, from "animal locomotion".

Animal Locomotion, Plate 758, 1887

Eadweard Muybridge

A work made of gelatin silver print.

Running Legs, 1940/41

Lisette Model

A work made of color lithograph on paper.

Will Man Outgrow the Earth, plate two from Bunk!, 1972

Eduardo Paolozzi

A work made of etching and drypoint in black ink on ivory laid paper.

Old Westminster Bridge, 1859

James McNeill Whistler

A work made of woodcut in black on cream wove paper.

Sprinters, 1931

John J. A. Murphy

A work made of drypoint and open bite in black ink on off-white laid paper.

The Piano, 1875–1877

James McNeill Whistler

A work made of ink on tracing paper.

Dymaxion Car, Plan, 1933

Richard Buckminster Fuller

A work made of gelatin silver print.

Untitled, from the series "Sur la Route: Huit Photographies Prises Entre Paris et Marseille ou Entre Paris et Biarritz", 1930

Germaine Krull

Colorful bars and other shapes form a dense and chaotic network. At left of center is a black rectangle bordered in purple and yellow with a red arrow inside it. At far left is a partially visible yellow bullseye with white, blue, and red bands.

The Railway Crossing (Sketch), 1919

Fernand Léger

A work made of woodcut on cream japanese paper.

Mez (Mittel-Europaische-Zeit: Weimar), 1919–20

Robert Michel

A work made of color lithograph on cream wove paper.

Save Time: Be on Your Way with a Season, 1928

Clive Gardiner

A work made of synthetic polymer on vacuum-formed acrylic plastic.

Untitled, 1968

Craig Kauffman

A work made of gelatin silver print, no. 8 from "a portfolio of photographs by jacques henri lartigue" (1972).

Grand Prix of the Automobile Club of France, 1912, printed 1972

Jacques-Henri Lartigue

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