Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color aquatint on ivory wove paper.

Colored Aquatint (Plant Forms), plate 28 from 101 Prints, 1967

Norman Roland Eppink

A work made of mezzotint in black on ivory wove paper.

Mezzotint (Artichoke and Pepper), plate 34 from 101 Prints, 1967

Norman Roland Eppink

A work made of lift-ground aquatint in black on ivory wove paper.

Lift Ground (Lovers), plate 33 from 101 Prints, 1967

Norman Roland Eppink

A work made of soft ground etching in black on ivory wove paper.

Soft Ground Aquatint (The Remains), plate 32 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and engraving in black, with color pochoir additions, on ivory wove paper.

Etching, Engraving, and Stencil Color on Paper (Two Figures), plate 38 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and engraving in black on ivory wove paper.

Etching and Engraving (Two Figures), plate 37 from 101 Prints, 1967

Norman Roland Eppink

A work made of color stipple engraving in black on ivory wove paper.

Three-color Stipple Engraving (Venetian Theme), plate 36 from 101 Prints, 1967

Norman Roland Eppink

A work made of stipple engraving in black on ivory wove paper.

Stipple Engraving (Milkweed Pods), plate 35 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and engraving in black, and acquaint in green and red, on ivory wove paper.

Etching, Engraving, and Color Aquatint (Two Figures), plate 41 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, and acquaint in black, with color pochoir additions, on ivory wove paper.

Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, and acquaint in black on ivory wove paper.

Etching, Engraving, and Acquaint (Two Figures), plate 39 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, soft ground etching, and acquaint in black, with embossing, on ivory wove paper.

Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, soft ground etching, and acquaint in black on ivory wove paper.

Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, and soft ground etching in black on ivory wove paper.

Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints, 1967

Norman Roland Eppink

A work made of color etching, aquatint, and relief roll on ivory wove paper.

Three-level Intaglio (Shore Partners), plate 47 from 101 Prints, 1967

Norman Roland Eppink

Robe with vertical bands of yellow, blue, and red abstract designs.

Etching, Engraving, and Color Offset from Linoleum (Webs), plate 46 from 101 Prints, 1967

Norman Roland Eppink

A work made of photogravure in black on ivory wove paper.

Photogravure Method (Bathers), plate 45 from 101 Prints, 1967

Norman Roland Eppink

A work made of lithograph in black and cream on ivory wove paper.

Lithograph on Tint (Lakeside), plate 50 from 101 Prints, 1967

Norman Roland Eppink

A work made of lithotint in black on ivory wove paper.

Lithotint (Whitefish Bay), plate 49 from 101 Prints, 1967

Norman Roland Eppink

A work made of lithograph in black on ivory wove paper.

Crayon Lithograph (Roman Cats), plate 48 from 101 Prints, 1967

Norman Roland Eppink

<<<11121314 >>>