Results for artworks - Page 11 from chicago

Ironwork, 1931

Lee Miller

Sculpture in Window, Paris, 1930

Lee Miller

Untitled, c. 1930

Lee Miller

Woman with Hand on Head, Paris, 1931

Lee Miller

A work made of black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream).

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881

Pierre-Auguste Renoir

Around the Void II (Alrededor del vacio II), 1965

Eduardo Chillida

Christa and Wolfi, 1964

Gerhard Richter

A work made of opaque and transparent watercolor on cream wove paper.

Grove of Trees, 1888/90

Pierre-Auguste Renoir

A tall, wooden sculpture that leans against the gallery wall. A hollow box at the top is supported by two wooden branches that connect to a wheel at the bottom. The rough tree branches contrast with the refined wood of the box.

Sanctuary, 1982

Martin Puryear

Screamin' Jay Hawkins, 1968

Karl Wirsum

A work made of etching and engraving on ivory laid paper.

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656

Stefano della Bella

Eggplant with fruit and flowers, 1829

Ônishi Chinnen

A work made of airbrush and brush and gouache on tan wood-pulp laminate board.

The Eye That Sees Everything, 1919

Man Ray (Emmanuel Radnitzky)

Burgonet, c. 1570/80

A work made of iron, silver, fruitwood, staghorn, and mother-of-pearl.

Wheellock Rifle, first half of 17th century

Gauntlet for the Right Hand, c. 1570/90

A work made of black chalk (recto and verso) on ivory laid paper (discolored to tan).

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso), 1881

Pierre-Auguste Renoir

A work made of pen and black ink over traces of graphite on tan wove paper.

Untitled (Tropical Fish), 1946

Wifredo Lam

Mace, 1550

A work made of steel, fruitwood, staghorn, and cord.

Ironwork, 1931

Sculpture in Window, Paris, 1930

Untitled, c. 1930

Woman with Hand on Head, Paris, 1931

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881

Around the Void II (Alrededor del vacio II), 1965

Christa and Wolfi, 1964

Grove of Trees, 1888/90

Sanctuary, 1982

Screamin' Jay Hawkins, 1968

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656

Eggplant with fruit and flowers, 1829

The Eye That Sees Everything, 1919

Burgonet, c. 1570/80

Wheellock Rifle, first half of 17th century

Gauntlet for the Right Hand, c. 1570/90

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso), 1881

Untitled (Tropical Fish), 1946

Mace, 1550

Sporting or Target Crossbow for a Youth, late 16th century/early 17th century

Ironwork, 1931

Sculpture in Window, Paris, 1930

Untitled, c. 1930

Woman with Hand on Head, Paris, 1931

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881

Around the Void II (Alrededor del vacio II), 1965

Christa and Wolfi, 1964

Grove of Trees, 1888/90

Sanctuary, 1982

Screamin' Jay Hawkins, 1968

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656

Eggplant with fruit and flowers, 1829

The Eye That Sees Everything, 1919

Burgonet, c. 1570/80

Wheellock Rifle, first half of 17th century

Gauntlet for the Right Hand, c. 1570/90

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso), 1881

Untitled (Tropical Fish), 1946

Mace, 1550

Sporting or Target Crossbow for a Youth, late 16th century/early 17th century