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A work made of linen, tapestry weave.

Fragment, Fatimid period (969–1171)

Islamic

A work made of linen, compound twill weave.

Child's Tunic, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 7th century

Coptic

A work made of linen and silk, complementary weft twill weave with inner warps.

Two Fragments, 13th/14th century

A work made of wool (camelid) and cotton, plain weave of discontinuous single interlocking warps and wefts.

Panel Fragment, 200/500

Nasca

A work made of acrylic on canvas.

Joe's Painting #125, 1965

Joe Zucker

A work made of acrylic, cotton, and rhoplex on canvas.

Paying Off Old Debts, 1975

Joe Zucker

A work made of graphite on tracing paper.

Gene and Nancy Bavinger House: Perspective View of Site, 1950/51

Bruce Alonzo Goff

A work made of colored pencil on paper.

Gene and Nancy Bavinger House: Interior View Showing Stair Down to Bath, 1950/51

Bruce Alonzo Goff

A work made of handscroll; ink and color on paper.

Pillars of the Country, Ming dynasty (1368–1644), 1494

Yao Shou

A work made of watercolor with opaque and metallic gold watercolor over pen and crimson and black ink with a swatch of compound twill satin, plain weave, on brown wove paper.

Fragment Supplemented with Drawing, 14th century and 19th century

Paul Schultze

A work made of book with photomontage and hand-colored plates; gilt-lettered leather-backed marbled boards.

Erotická revue, 1930–1933

Jindrich Styrsky

A work made of graphite and colored pencil on yellow tracing paper.

House Study, Aerial Perspective, 1919

Bruce Alonzo Goff

A work made of engraving in black on cream laid paper.

St. Jerome Penitent in the Wilderness, c. 1497

Albrecht Dürer

A work made of charcoal on cream laid paper.

Harriett Pullman Carolan, 1911

John Singer Sargent

A work made of printed periodicals: 20 issues (some double). no. 1, 1925 - no. 4 (june), 1927.

Avant-Garda (Avant-Garde), 1925–1927

A work made of wood, pigment, and raffia cord.

Lidded Box, Early 20th century

Mangbetu

A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Cross Section Showing Spherical Rooms Linked by Tubular Passage in the Form of a Spiral, 1952

Bruce Alonzo Goff

A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Aerial Perspective, 1952

Bruce Alonzo Goff

Miniature parlor with two rooms divided by a wall opening. There is a large chandelier, gold-gilded frames and mirrors, and red and yellow upholstered wooden furniture.

A30: Georgia Double Parlor, c. 1850, c. 1940

Narcissa Niblack Thorne

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden. Beneath a dense and heavy yellow sky, a small blue triangle suggesting a mountain peak crests above the treeline at far left.

The Poet's Garden, 1888

Vincent van Gogh

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