Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of bedroom, blue walls, green window, tan bed, red bedding.

The Bedroom, 1889

Vincent van Gogh

A work made of gelatin silver print.

Untitled, 1935/68

Bela Kalman

A work made of oil on canvas.

Resurrection of Christ, 1665/70

Samuel van Hoogstraten

A work made of oil on linen canvas.

Polynesian Woman with Children, 1901

Paul Gauguin

A bisected rectangle, each side of which icludes a curved form seeming to represent a portion of a human body adorned in black lace undergarments.

Loose Beauty, 1973

Christina Ramberg

Still-life painting, fish, open oysters, eel, lemon on tablecloth.

Fish (Still Life), 1864

Édouard Manet

A work made of acrylic on masonite.

Untitled, 1974

Christina Ramberg

A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.

Weeping Tree, 1889

Vincent van Gogh

A work made of gelatin silver print.

Lucia Moholy on a Balcony, Ascona, c. 1926

László Moholy-Nagy

A work made of oil on pulpboard.

Port of Bordeaux, 1914

André Lhote

Painting of crucifixion, surrounded by scenes of Nazi violence against the Jewish community.

White Crucifixion, 1938

Marc Chagall

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.

At the Moulin Rouge, 1892/95

Henri de Toulouse-Lautrec

A work made of oil and graphite on canvas.

Nuclear I, CH, 1945

László Moholy-Nagy

A work made of wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan).

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of oil on canvas.

Wound Interrogation, 1948

Matta

A work made of wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream japanese paper.

Mahana atua (Day of the God), 1894/95

Paul Gauguin

A work made of red chalk with touches of blue chalk, over monotype in brown, on tan laid paper.

The Fallen Angels, c. 1895

James Ensor

A work made of monotype in brown ink with colored pencil and pen and black ink on cream laid paper.

Temptation of Saint Anthony, 1925

James Ensor

In vivid shades of red, orange, yellow, blue, and green, a grouping of row houses sits before an open expanse of land and winding, leafless trees. Everything is multicolored and outlined in thick strokes of deep blue. A figure bends down near a path.

Houses at Chatou, c. 1905

Maurice de Vlaminck

A work made of tempera and silver leaf on canvas.

Portrait of Emily Crane Chadbourne, 1922

Tsugouharu Foujita

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